- November 2018
“You do not avenge crimes unless you surpass them.”
“Scelera non ulcisceris nisi vincis.”
Thyestes and Atreus are twin brothers, kings of Argos.
His lands stolen, his wife seduced, cast out from his home, Atreus swears bloody vengeance on his brother. Now once again ruler of his land, he is determined to exact such revenge on Thyestes that the sun will avert its gaze, the stars will fall from the sky and people will talk of the horror forever after.
Inspired by the well-established Cambridge Greek Play, the very first Cambridge Latin Play will stage one of the most violent and heart-breaking tales from the Classical world. Exploring vengeance and pity, families and kingdoms, passion and desire, it lays bare man’s cruellest and most base instincts, culminating in a grotesque finale of cannibalism.
No less relevant or brilliant than Greek drama, Latin theatre has been sadly underrepresented – this production will bring to life not only the text but the language too, performed in Latin with English subtitles.
- August 2018
“When a man has lost all happiness, he’s not alive. Call him a breathing corpse.”
Amy, a hotel cleaner has found a body in one of the guest rooms. There’s a funny smell coming from one of Jim’s storage units. On a hot summer’s day, furious Kate takes her anger out on her lover Ben. There’s no going back after what they’ve seen.
At first “Breathing Corpses” seems like disparate and unconnected tales that all feature, at some point a corpse – but as the drama unfolds it becomes clear that the events are deeply and tragically intertwined. The character’s stories unfold in an unexpected and darkly humorous plot that will leave you guessing right till the end.
- May 2018
Artist. Prisoner. Murderer. Genius.
Locked up in Bedlam asylum for the vicious murder of his father, Richard Dadd is a shell of a man who has abandoned his painting. The arrival of an ambitious doctor and a strange new patient called Jane lead him out of his silence and into a world of dreams, fairies and madness. Dadd begins to paint again – but what buried horrors could it awaken in his mind?
Based on the life of an extraordinary artist, Master-Stroke tells a story of art and obsession, of people caught in the most alienating and dehumanising of circumstances. It is a meeting of fantasy and reality at a time of changing perceptions of art, illness and gender, a story of possession by devils and other forces outside our control.
- February 2018
‘I was happy, very happy. But I needed to come down to earth. The Fringe is over.’
Three actors, a director and a producer emerge from the last night of their show at the Edinburgh Fringe, worn out by their performance and each other. Now they only need to transport their one piece of set, a sofa, from the pavement on the Royal Mile back to their accommodation. But hiring a van on the final evening of the Fringe proves no easy matter, and so, to avoid prosecution for ‘littering on a major scale’, the group must stay on the street with each other, the experiences of the past month, and the sofa they never want to see again.
Sofa on the Mile is a sharp new tragicomedy about youth, hurt and endings, about the things that are gone by morning, and the things that refuse to be left behind.
- February 2018
Are there any cynics in paradise?
When two brothers join a cult, things turn for the worse as Michael and Liam question their mortality, their faith and whether or not they can trust each other.
The pater familias has his own suspicious intentions, the outcast is ostracized yet untouchable and the remainder of the denomination ring out their doctrine in unison.
The Road to Nowhere is Alfred Leigh's debut play, promising to be an irreverent ideological examination.
https://bats.tessera.info/tickets/road-to-nowhere
https://www.adctheatre.com/whats-on/literary/the-road-to-nowhere/
'Darkly Seductive' - Varsity ★★★★
- November 2017
“Why don't we have a little game? Let's pretend that we're human beings, and that we're actually alive.”
The play that best captures the blistering rage felt by an unfulfilled, neglected generation, Look Back in Anger introduced the world to the ‘angry young man’, an archetype as relevant today as it was when the play burst onto the stage in 1956.
At once a study of isolation and engulfing, poisonous relationships, the play follows Jimmy Porter as he struggles to connect with those around him and rise above the callous monotony of his fledgling marriage. The issues of today’s youth, furiously voiced through those of the past.
- November 2017
'You see, he could see that I couldn't afford the car. Do you understand? It was visible on me.'
David and Jess have debts. Big debts. Debts that are crushing them. They think they're willing to do whatever it takes to pay them off - but how far will they really have to go?
Love and Money explores how our modern relationship with money affects our relationships with each other through the story of young married couple, David and Jess. As their debts spiral, they will turn to unconventional ways of earning money that they'd never even imagined. A dark examination of what lies behind the picture-perfect consumerist life, this play questions whether it is ever possible to connect to others when money will constantly get in the way.
Content warning: descriptions of suicide
- November 2017
Chuck Salmon has played it safe his whole life. He has a 9-5 office job, a mortgage and the latest iPhone. He likes his curries mild and his receipts filed, his sex vanilla and his ice-cream missionary.
But one stormy Saturday-Sunday night Chuck is visited by three ghosts, of past, present and future, who try to show him the error of his ways! Will Chuck turn over a new leaf and grab life by the knuckles? Or will he live the rest of his days as a crustless bread and butter sandwich?
Come and join Footlights Smoker regulars Will and Alex for an hour of sketches and songs in tHE RoUND(!?), featuring guest stars Derren Brown, The Gas Powered Gnome and the elephant in the room.
Don’t be like Chuck, step into the outside world! And then inside the Fitzpatrick Hall to see the show !
- August 2017
In 1950s Hazlehurst, Mississippi, the three Mcgrath sisters have returned home, awaiting news of the family patriarch - their grandfather - who is living out his final hours in hospital. Lenny, the oldest sister, is unmarried and facing dwindling marriage prospects; Meg, the middle sister, has returned after a failed stint in Hollywood, and the youngest sister, Babe, is out on bail after shooting her husband.
Their troubles, serious and yet hilarious, unravel throughout the play; as past resentments bubble to the surface, the sisters are forced to face the consequences of the various “crimes of the heart” that they have committed.
An example of black comedy at its finest, Crimes of the Heart is a comedic exploration of loneliness, deceit and ultimately what it means to be a family.
**** The Tab "It’s so catchy that you are humming retro tunes on the way home, planning to wear a dotted skirt the day after and have the strong impulse to drink a coke as soon as possible."
8/10 TCS "Any fool who believes that idiotic idea that women aren’t funny needs to see this, and spend an evening laughing at these fabulously dark comic performance."
- June 2017
And Then There Were None is one of Christie’s most successful murder mysteries and was adapted for stage by her in 1943. Ten strangers are invited by a mysterious host to a large holiday home on an island off the coast of Cornwall. All with unclean pasts they make their way to the house, still yet to meet the host when they arrive. Soon, one by one, they start to be killed off. All of them are victims, and all of them could be the murderer. It seems the host is playing games when he leaves a chilling voice recording condemning them all for various crimes and murders they have committed themselves. More sickening still is the nursery rhyme framed in every guest’s room listing the deaths of ‘Ten Little Soldiers’, and the ten little soldier figurines in the dining hall: every murdered guest sees another figurine go missing. When the last guest is murdered, who could the murderer possibly be?
- March 2017
Electra is the child of a broken family pretending it's still holding together. Her mother's lover has taken over the throne and become a tyrant, after her father's brutal murder at his hands. Her sister is weak and her brother has fled. She stands surrounded by blank smiling faces staring at her like masks. She hears the voices of strange people she isn't sure are real. One way or another, there's going to be blood.
- March 2017
Half past five on a Friday evening, and a school’s electronic door-locking system shuts down for the weekend… with four teachers still in the staff room.
Claustrophobia sets in. Tea turns into alcohol. Ties, jackets and the ceremonies of the school day are shed, giving way to messy power plays, grievances and the desire to behave badly. But they are still haunted by the ultimate threat in their job that keeps their behaviour in check. And it isn’t the headmaster.
This brand new comic drama asks where the boundaries of professionalism lie, and how much pressure it takes to reveal the petty, paranoid, impulsive teenagers inside even the most polished individuals.
‘I have practically run the English department for the last three years, and you have bought me a bottle of wine with a screw cap.’
- February 2017
"When you're between any kind of devil and the deep blue sea, the deep blue sea sometimes looks very inviting."
The play opens with Hester Collyer's first suicide attempt: originally written as a one-act play in which she was successful, Rattigan ultimately found it more appealing to explore the psyche of a person on the precipice of despair. Hester has left her well-off and kindly husband William in favour of the desirable yet emotionally reticent Freddie, and now finds herself trapped in a loveless relationship without an escape route. She cannot fathom going back to her husband but when Freddie forgets her birthday she can no longer cope with her current relationship. The only exit she sees is taking her own life but, after some bracing advice from the enigmatic and stoic Mr Miller, she finds herself willing to reconsider.
Rattigan's masterpiece and, in the words of Libby Purves, "a bit of a game-changer" when it is first seen or read, The Deep Blue Sea is a challenging and provocative play, encouraging social responsibility and taking an unsentimental but compassionate stance on mental health.
- January 2017
In 1950's Hazlehurst, Mississippi, the three Mcgrath sisters have returned home, awaiting news of the family patriarch - their grandfather - who is living out his final hours in hospital. Lenny, the oldest sister, is unmarried and facing dwindling marriage prospects; Meg, the middle sister, has returned after a failed stint in Hollywood, and the youngest sister, Babe, is out on bail after shooting her husband.
Their troubles, serious and yet hilarious, unravel throughout the play; as past resentments bubble to the surface, the sisters are forced to face the consequences of the various “crimes of the heart” that they have committed.
An example of black comedy at its finest, Crimes of the Heart is a comedic exploration of loneliness, deceit and ultimately what it means to be a family.
- November–December 2016
"You're my prize possession, why can't I watch you ?... You're mine"
Nora Helmer years earlier committed a forgery in order to save the life of her dictatorial husband Torvald. Now she is being blackmailed and lives in fear of her husband finding out and of the shame such a revelation would bring to his career. But when the truth comes out, Nora is shocked to learn where she really stands in her husband's esteem. A play that was once banned for daring to depict a woman defying her husband "A Doll's House is considered to be one of the first "feminist" plays, challenging the Victorian ideal of a woman's role in marriage and revolutionising the portrayal of women on the stage.
- November 2016
‘Merdre!’
The first performance of the first word of the first piece of absurdist theatre, when put on in Paris in 1896, resulted in a riot.
Before the start of the premiere Alfred Jarry walked onto the stage and said ‘You are free to see in M. Ubu however many allusions you care to, or else a simple puppet – a school boy’s caricature of one of his professors who personified for him all the ugliness in the world.’
The play tells the story of the rise of Ubu Pa to the throne of Baloney and his eventual fall, in absurd mockery of everything from the bourgeois to Shakespeare’s greatest tragedies.
A basement fever-dream, gutter rock, an anarchic farce, Berlin techno… This show really has it all. Wow.
- February 2016
Set in 1929 New York City, Bugsy Malone captures a flashy world of would-be hoodlums, showgirls, and dreamers. In this setting, two gangs prepare to take each other down, with Fat Sam and Dandy Dan competing to take control of the city. Bugsy Malone, a one-time boxer, is thrust not-so-willingly into the gangster limelight, when he becomes the last chance Fat Sam's gang has of surviving. All Bugsy really wants to do is spend time with his new love Blousey; but that just isn't on the cards for our hero just yet.
Great songs, amazing dances, flashing lights and cream-pie fights - what more could a musical have to offer?
- November 2015
'I've never understood
what it is I'm not supposed to feel
like a bird on the wing in a swollen sky my mind is torn by lightning
as it flies from the thunder behind'
This is not a play. This is a suicide note. This is the fragmented reality of a broken mind.
This is not the answer. This is the question. This is the opening line and the closing breath.
Sarah Kane's final and most personal work opens up the minds of three people suffering from depression, taking the audience on a journey into the deepest recesses of human suffering.
- August 2015
- March 2015
Bernstein's 'Candide' is an operetta set in the castle of the Baron of Thunder-ten-tronckh in the mythical European land of Westphalia. Within these walls live the Baron and Baroness, Cunegonde-- their beautiful and innocent virgin daughter, Maximilian--their handsome son, Candide--their handsome bastard nephew, and Paquette-- the Baroness' buxom serving maid. They are taught by Dr. Pangloss, who preaches the philosophy that all is for the best in "The Best of All Possible Worlds."
Candide and Cunegonde kiss and Candide is banned from Westphalia. As he leaves, Bulgarians invade, kidnap him and slaughter everyone except for Cunegonde, who they prostitute out to a rich Jew and the Grand Inquisitor. Candide escapes and begins an optimistic, satirical journey...
For 'Candide', composer of 'West Side Story', Leonard Bernstein wrote thrilling music full of wonderful tunes. The show is great spectacle, performed by a large cast of thirty talented singers.
- March 2014
"Then, since I am his Ganymede, let me be cut in stars, and set where jealous hate may never come"
Egypt. 130 AD. The emperor Hadrian, accompanied by his wife, court, and secretary, Suetonius, is on a diplomatic tour; all eyes are on Antinous, Hadrian's young lover and pin-up boy of the Classical world. As the party floats further down the Nile, the stage is set for tragedy.
"I have my wife's contempt, my friend's decease, and now my lover's enmity to weigh upon my soul: what is an empire to these cares?"
- November 2013
A group of young English cavaliers head to the Med for the mother of all hedonistic holidays, but they’ve more than met their match in the girls they encounter. Belvile thinks he’s found true love with Florinda, but an arranged marriage and a protective older brother stand in his way. Blunt thinks he’s found true lust with Lucetta, but he’s about to be given a rude awakening. Frederick just wants to find somebody, anybody. And Willmore, the rover, causes chaos wherever he goes, trailing broken hearts and broken bottles in his wake. Can this “rampant lion of the forest” be tamed? Or will events take a darker course?
- November 2013
Cambridge. 1986. Wracked by ambition and stress, and disillusioned with his studies, Faustus makes a deal. Knowledge, power, reputation - the price: his soul.
What would you give to have all the answers?
- June 2013
During the chaotic festivities of Mayweek a group of students attempt to put on a performance of Shakespeare’s liveliest romantic comedy ‘The Taming of the Shrew’. With lust bubbling beneath the surface and incessant flirting, this raucous show sees two rebellious misfits fall deeply and madly in love. Set in the beautiful outdoor setting of Cloister Court, Queens' college, this show promises to be the perfect antidote for exam stresses.
- March 2013
- February 2013
French Without Tears is a larger-than-life comedy about what it means to be young. When Commander Roger, grizzled Naval captain, arrives a school for young men attempting (and failing) to learn French, he sets of a tangled love affair involving the naive Kit, Alan the self-styled intellectual and Diana: the focus of their affections.
- November 2012
"I found god in myself/and I loved her/I loved her fiercely"
For Colored Girls is an explosively evocative and daringly innovative piece of drama from American poet Ntozake Shange.
Combining spoken word poetry, physical theatre, music and dance, Shange's choreo-poem gives a piercingly authentic look at urban life through the brash lens of beautifully unrefined poetry.
Following the lives of seven women identified solely by the colour of their clothing, the play tackles experiences of rape, domestic violence, infidelity and sisterhood, taking its characters and audience from a place of desolation to the liberating finale at the end of their rainbows.
A vibrant, lyrical and emotive piece of organic drama, For Colored Girls is a powerful social critique which simultaneously gives a uniquely polyphonic and authentically raw voice to universal experiences.
- November 2012
"Philip II has a new wife. And a new lover. But with jealous exes vowing revenge, allies conspiring against him, and his son - Alexander the Great - plotting to seize power, he won't stay happy long...
Blood, fire, sex, rhetoric and revenge; this monstrous creation will be unlike anything you've ever seen on a Cambridge stage."
- October–November 2012
- October–November 2012
‘in the vatican everything is confidential and nothing is secret’
Following the death of the Pope a man is elected who the cardinals believe can stop the spread of corruption in the Vatican. Thirty days later he is dead. No official investigation is launched, no autopsy is performed and cardinal Benelli watches as the press release is secretly distorted. Benelli has the power to ensure the death is properly investigated but only by surrendering his last chance of becoming pope. Years later, beyond justice, ambition and friendship all that remains is his last confession.
A thrilling tail of rivalry, intrigue and faith. The Last Confession takes us inside the Vatican to uncover the events surround the death of ‘the smiling pope’
- June 2012
'Well, all Rome sees Caligula everywhere. And Caligula, in reality, only sees his idea.'
BATS is proud to present their May Week show, Camus' 'Caligula', a play full of philosophy, madness, cross-dressing, and plenty of blood. When the Emperor returns to the city, mourning the death of his beloved sister, his senators are concerned he is not fit to rule. He demands to own the moon; he begins arbitrary executions; he dances before them in the guise of Venus. But how mad is Caligula really? And how long will they allow his cruelty to reign?
- March 2012
The BATS Freshers' Show takes on one of the most celebrated works of twentieth century theatre, Caryl Churchill's warts-and-all portrayal of the working woman, and what it takes to be one. Marlene has been promoted to managing director of the Top Girls Employment Agency and is lauded by women past and present as a successful, admirable female. But how much has she given up for her career? Her family? Her credibility? Even her gender?
- March 2012
Two men, two women. Sex, betrayal, half-truth, and that's just the bubbly first half. Rose has just moved into Cassie's spare room.She believes in horoscopes, leprechauns and numerology, which doesn't go down well with Cassie, who lobbies parliament to raise awareness of rape and gender inequality. They met on gumtree. Rose thinks Mark is the one, Mark's fairly sure he isn't. Tim lives with Mark. He is recently bereaved, fat and doesn't know what to do. So far, so good. But what seems like a romcom waiting to happen quickly curdles into something much, much nastier.
Set up as a sparky metropolitan comedy of manners, Penelope Skinner's divisive script delves deeply into the dark underbelly of modern romance, starkly depicting emotional manipulation, sexual humiliation and near-total self-destruction. An intoxicating mix of comedy and tragedy, 'Eigengrau' tenderly examines the alienation of modern life and the near-impossibility of living as a feminist in a world that believes the struggle is over.
- February 2012
When Tom Ripley is sent to Italy to track down Richard Greenleaf, the errant son of a wealthy American couple, his mission takes on a sinister twist as their lives become inextricably entwined. Phyllis Nagy’s stage adaptation of Patricia Highsmith’s novel ‘The Talented Mr Ripley’ explores the mind of one of crime fiction’s great anti-heroes; an intelligent, suave, and charming psychopath whose amorality is at the centre of a plot about duplicity and murder.
- November 2011
Combine the best restaurant in London and the worst diners in the world and what do you get? Madness. Add into the mix a verbose restaurant manager, a namedropping waiter, and a pseudo-sexually charged waitress, and Pinter’s Celebration is a feast of bizarre comedy not to be missed. Join us for this one-act play from perhaps Britain’s most revered and versatile playwright, and take the opportunity to explore his final work in all its comedic, dramatic and intensely strange glory.
- November 2011
It's the 2503th performance of "Oedipus Tyrannus" and Chorus 6 wants to call it quits. The tragic hero, however, isn't quite ready to end the performance. Can a plot be altered, can a well-known story be changed? The minor actors are determined to escape a theatrical prison... but the protagonist has other ideas.
BATS is proud to present this imaginative new adaptation of the Oedipus myth.
