AUDITIONS ALERT!!!! We need YOU on the ADC stage with us!
The week 4 CUMTS musical, Sister Act, is now reopening auditions for the role of Pablo!

FOOTLIGHTS INTERNATIONAL TOUR SHOW IS LOOKING FOR A TECH TEAM
Footlights International Tour Show 2024: IS LOOKING FOR A TECH TEAM The Footlights International Tour Show is returning to Cambridge for its final home run show 10th-12th Oct. Shenanigans incoming. To bolster our roster we're looking for: - Sound Engineer - Assistant Sound Engineer (ASE)

CUMTS FRESHERS MUSICAL: THE BACK-UPS Needs a Publicity Designer!
We're looking for someone to create the poster design (and other assorted publicity) for this year's CUMTS freshers musical, 'The Back-Ups', playing at the ADC between the 20th-23rd November. Fans of pop music, Taylor Swift, Disney Channel and 'School of Rock' are all encouraged :))

SISTER ACT is looking for a band!
It's time to Raise Your Voice and get in touch if you play: Keys, Reeds, Trumpet, Trombone, Guitar, Drums. Percussion or Bass!

'Margaret Saunderson Might Be God' is looking for a tech team!
MARGARET SAUNDERSON MIGHT BE GOD is looking for disciples *sorry, I mean a tech team😇😇😇😇😇 We're looking for... - Stage Manager(s)  - Deputy Stage Manager(s)  - Lighting Designer /Operator - Sound Designer /Operator - Followspot Operator

APPLICATIONS OPEN FOR WEEK 4 SLOT IN THE HOWARD THEATRE
Apply to stage a show in the Howard Theatre on the 7th, 8th and 9th of November!

Timon of Athens in Trinity Chapel...Auditions!
There is one play of which Shakespeare left only a draft. Despite it being written inbetween some of his greatest tragedies: Othello, King Lear and Macbeth, this play went unperformed throughout his lifetime. Some critics adore it: Karl Marx would come to repeatedly quote it throughout his writings, and George Steiner believed it to be one of the very few ‘absolute tragedies’. Yet to others, it is a clunky, messy ragtag of a play – Shakespearian tragedy at its worst. Nonetheless, we believe it to be an extraordinary piece of drama, maybe because of these so-called ‘failings’. It seems to move beyond its early-modern context and forward into the bounds of 20th century drama: Beckett, Brecht and Grotowski. We are happy to open auditions (via self-tapes and recalls in October) for this production of Shakespeare's most disputed play.