FOOTLIGHTS INTERNATIONAL TOUR SHOW IS LOOKING FOR A TECH TEAM
Footlights International Tour Show 2024: IS LOOKING FOR A TECH TEAM The Footlights International Tour Show is returning to Cambridge for its final home run show 10th-12th Oct. Shenanigans incoming. To bolster our roster we're looking for: - Sound Engineer - Assistant Sound Engineer (ASE)

CUMTS FRESHERS MUSICAL: THE BACK-UPS Needs a Publicity Designer!
We're looking for someone to create the poster design (and other assorted publicity) for this year's CUMTS freshers musical, 'The Back-Ups', playing at the ADC between the 20th-23rd November. Fans of pop music, Taylor Swift, Disney Channel and 'School of Rock' are all encouraged :))

SISTER ACT is looking for a band!
It's time to Raise Your Voice and get in touch if you play: Keys, Reeds, Trumpet, Trombone, Guitar, Drums. Percussion or Bass!

'Margaret Saunderson Might Be God' is looking for a tech team!
MARGARET SAUNDERSON MIGHT BE GOD is looking for disciples *sorry, I mean a tech team😇😇😇😇😇 We're looking for... - Stage Manager(s)  - Deputy Stage Manager(s)  - Lighting Designer /Operator - Sound Designer /Operator - Followspot Operator

Join the SISTER ACT team as an accent coach!
The Week 4 ADC sisterhood spectacular seeks an accent coach! We are looking for someone to work with our cast members, running lines and giving tips on an American accents with a fun Philadelphia twang!

APPLICATIONS OPEN FOR WEEK 4 SLOT IN THE HOWARD THEATRE
Apply to stage a show in the Howard Theatre on the 7th, 8th and 9th of November!

SISTER ACT seeks a Publicist!
We are looking for a Publicist  to work alongside the Director  (Connor) and Producer  (Poppy) to spread the word about the show around town!

SISTER ACT seeks to extend tech team
More technical roles now open to join the fabulous Sister Act team for the Week 4 Michaelmas ADC main! We are searching for a Chief Electrician , Assistant Lighting Designer  and Mic Runners

Timon of Athens in Trinity Chapel...Auditions!
There is one play of which Shakespeare left only a draft. Despite it being written inbetween some of his greatest tragedies: Othello, King Lear and Macbeth, this play went unperformed throughout his lifetime. Some critics adore it: Karl Marx would come to repeatedly quote it throughout his writings, and George Steiner believed it to be one of the very few ‘absolute tragedies’. Yet to others, it is a clunky, messy ragtag of a play – Shakespearian tragedy at its worst. Nonetheless, we believe it to be an extraordinary piece of drama, maybe because of these so-called ‘failings’. It seems to move beyond its early-modern context and forward into the bounds of 20th century drama: Beckett, Brecht and Grotowski. We are happy to open auditions (via self-tapes and recalls in October) for this production of Shakespeare's most disputed play.