- November 2025
“How pretty the sky is! I ought to go there on a rocket that never comes down.”
A visitor arrives at a small apartment in the French Quarter. A sister spirals. Nothing will ever be the same. On a street in New Orleans, in the sweet heat of summer, past and present collide. The fragile peace between two lives begins to unravel, and secrets push their way up to the surface. Step into the world of 'A Streetcar Named Desire', Tennessee Williams' Pulitzer Prize winning masterpiece, and experience this timeless domestic drama where desire simmers beneath every word, dreams collapse, and reality and illusion collide.
- November 2025
A Bright Room Called Day follows a group of artists and activists in 1930s Germany, as they grapple with the rise of fascism around them. Punctuating this narrative are "interruptions" from Zillah: an activist who has moved from the US to Berlin during the Reagan administration, and is studying the rise of the Nazis. Tony Kushner (author of Angels In America, among other plays) combines poetry, fantasy, and historical fiction, to create a piece as compelling as it is experimental.
- May 2025
Ten strangers are invited to a secluded island. None are safe.
When a cryptic recording accuses each guest of a terrible crime, the tension mounts. One by one, their number begins to dwindle. Trapped with no escape, they must confront their pasts as paranoia takes hold. Who can be trusted? Who will survive? And who, or what, is behind it all?
Every shadow hides a secret; every moment tightens the grip of fear. Agatha Christie’s And Then There Were None will keep you guessing until the very end.
“Prisoners at the bar, have you anything to say in your defence?”
- March 2025
Short Cuts is a new film initiative organised by BREAD Theatre and Film, with the aim of making the film scene in Cambridge more accessible.
Spend Lent term shooting and editing a film of no more than 3 minutes... all filmed on a smartphone!
This project allows you to meet like-minded film enthusiasts, bearing in mind a low-commitment approach to suite a hectic Cambridge term.
Oh and did we forget to mention? The films will all be screened and judged by a panel at the end of term, with the winning film receiving £100 to develop their film further, as well as support from BREAD wherever possible
- March 2025
Sola, is a dance piece which tries to construct the presence of absence. Each night will consist of 4 solos, devised by the dancers themselves around the theme of isolation. There will be 6-8 dancers meaning each night the rotation of solos will change, making four different pieces. Each dancer involved therefore also becomes a director. Sola will be more than the shows themselves. Rehearsals will consist of a series of workshops and improvisation sessions, with some open to any one who wants to join including musicians and artists. The aim is to create a collaborative and interdisciplinary environment which best facilitates the production of the solos.
- March 2025
You’ve heard of Fiddler on the Roof, now hear the untold story of the fiddler himself….
Through a surrealist collage of Yiddish storytelling, comedy, music and movement, the 20th century writer Sholem Aleichem connects us to the tale of ‘Stempenyu’, set in a Ukrainian Shtetl. In a space outside of time and inside folklore, the story of romance between travelling violinist Stempenyu and Rachel the Shtetl girl, explores the seemingly timeless tradition of the Yiddish world in tension with its impermanence. This will be the first ever performance of this play in English, using Alex Kahn's translation that has been created specially for this production.
- March 2025
Say hello to the Tortured Autist. Otherwise he'll make you eat the ham.
This show concentrates the surreal, dadaesque, erratic, nonsequiturial ideas that neurodivergent brains can come up with and hydrogenates those all together into a one-off night of chaos and absurdity. But also no repetitive noises.
Welcome to the weirdest show you'll see all year.
- February–March 2025
“It’s all going to be downhill from now on.”
A young girl stumbles into the kitchen, and tentatively questions her aunt about the bloody assault she has witnessed in the night. Several years later, the whole world, including birds, animals, and gravity itself, has descended into war. Facing a culture on the cusp of apocalypse, the girl returns to her aunt’s to seek refuge.
First performed in 2000, Caryl Churchill’s Far Away is part absurdist drama, part dystopian nightmare. With notes of environmental decay, pervasive violence, and glimmering, hard earned, hints of hope, Far Away is more comparable to our modern condition than ever before, and closer to our generation than is comfortable to admit.
The Far Away team is thrilled to have worked with director/dramaturg/performance maker Rebecca Goh, who hosted a BREAD LAB on eco dramaturgy with Bread Theatre & Film Company
Take a look at our Varsity review: https://www.varsity.co.uk/theatre/29238
- February 2025
Three times a term, we host a night where people can come along and sing a musical theatre song for a smaller audience in a less intimidating venue (the ADC bar). The atmosphere is always friendly and uplifting, and the performances are always of a top quality. The most wonderful thing about these shows is that the more intimate setting allows for those less confident performers to feel more comfortable in their singing and eventually move onto principal roles in bigger shows. You never know, any Bar Night participant might just go on to be the next big star of the stage! With a range of performers and songs, you are sure to find something you like in these bar nights.
For the second bar night of the term, in line with our goals to diversify the musical theatre scene and increase accessibility, CUMTS are working in for the third time in collaboration with Bread Theatre & Film Company to bring you a Bar Night made up entirely BME performers who will be singing all of their favourite songs from musical theatre.
Keep an eye on the CUMTS instagram (@cumtscambridge) for more information nearer the time about auditions as well as Camdram and the Cambridge Theatre Facebook page!
- February 2025
Try to think about the worst thing you’ve ever done. Rate it on a scale of 1-10. Now think about your intention behind it, the actions from others and yourself that led you there. Rate it again. Has it changed? Improved or worsened? How easy was that task for you? Would it be easier if you weren't deciding for yourself? Sorry for all the questions, we'll let you put it into practice soon. We just want to ensure that you are prepared for the role you're about to take on. Join us at Symptom of Life where you, the audience are the deciders, the jury. Whatever your verdict is, goes. We look forward to working with you soon.
Symptom of Life combines the themes of morality, justice, power, control and blackness to bring you a show, a first of its kind, where your say, as an audience member, has never mattered more.
- January–February 2025
Back from its Edinburgh Fringe run, Desert Thirsts and Jerusalem Winds is coming to Cambridge! Escape to 1920s Jerusalem and follow the wanderlust of reporter Leopold Weiss. What was meant to be a holiday turns into an adventure across the Middle East searching for unity with destiny. Take leap after leap with this daring Austrian student as he blags his way to the most prestigious newspapers, risks death in the Nufud desert and dissects the political and spiritual issues of East and West.
- October–November 2024
Othello is a play of many complexities and layers. A play that tests the capacities individuals will go to upkeep their reputation and external image in society. The setting of Pembroke Chapel (never been performed in before) and it's black and white flooring, shows the mixing of cultures in a society in which race never does blur into one because of societal expectations. Set against the backdrop of the glitz and glamour of the 1920s, this interpretation of Shakespeare's much loved tragedy highlights the superficiality of society.
Rated 4 stars in student publication Varsity: 'Tally Arundell has directed an energetic production which is well-worth watching while it is on'
- October–November 2024
'I want to dance, Kate. It’s the Festival of Lughnasa. I’m only thirty-five. I want to dance.'
Welcome to the not-so-hot Summer of 1936 in Rural Donegal, Ireland. As the five Mundy sisters gather round to listen to the dulcet tones of their new radio, ‘Marconi’, change is coming.
Father Jack’s back from Uganda, Gerry comes and goes at will, yet there’s one journey yet to be decided upon - will the sisters make it to the Harvest Festival after all? Brian Friel’s celebrated semi-autobiographical play artfully and wittily captures the joys and pitfalls of an immediately identifiable era.
Guided by our narrator, Michael, the 'illegitimate' son of the youngest Mundy sister, Dancing at Lughnasa is at its heart a celebration of cultural survival. Marking Friel’s return to the ADC stage, this timeless tale ultimately questions how, in changing circumstances, we relate to and secure our own senses of identity.
- October–November 2024
"Courage doesn’t always roar. Sometimes courage is the quiet voice at the end of the day saying ‘I will try again tomorrow’”
School is a nightmare, boys are infuriating and maccies is the only place open after 6pm. Growing up isn't easy, but it's even harder when you are from a place where no one expects anything of you - and especially if you're queer or the new girl at school. Beth, Rachel, Zahidah, Ellie and Chloe are stuck, stuck in their drama group, stuck in school and stuck in their small town which doesn't even have a Nando’s.
- October 2024
“I shall tell her I met a beautiful young man lying in the grass”.
It is 1944. Two young men meet in a Kentish field as doodlebugs whizz overhead. One is a farmer, the other an artist, but an intense bond forms between them.
First performed at The Bush Theatre in 1986, Robert Holman’s acclaimed play, which forms part of the Making Noise Quietly collection of plays, is a deeply gentle and delicate two-hander.
“Holman’s instinct for truth, and an unaffected ability to spot what’s poignant in it, is what one remembers: that, and a paradoxical impression of spare richness, astringent abundance” – The Times.
Read our 4.5 star Varsity review here! https://www.varsity.co.uk/theatre/28401
- June 2024
How do our inner fears manifest themselves? Where are these feelings embedded, and how do they become externalised? Underscore is the product of exploration, collaboration and innovation between dancers and musicians around these questions. It confronts the audience with a striking atmosphere through live music and unconventional forms of movement and expression.
- June 2024
- May 2024
Laugh out loud with Cambridge Footlight and almost-qualified doctor Fatima Eshani for an uproarious one-hour comedy special: a witty, insightful take on her journey to the frontlines.
Having honed her comedic chops as a Cambridge Footlight since 2020, Fatima's deadpan and witty persona promises an unforgettable evening. From navigating the awkwardness of attempting to make friends around dissecting cadavers to mastering the art of bad news delivery to paid actors in Addenbrookes, this show unveils the hidden corners of life in the NHS. 'We Only Clap on Thursdays!' offers an honest, humorous, and unique perspective on the joys, heartbreak, and chaos of the medical world. Join us for an hour of laughter, camaraderie, and a sneak peek into the life of a junior doctor that goes beyond the textbooks and scrubs.
Fatima Eshani is "wonderful to watch" (the Tab), gives a "perfect demonstration of elegant sarcastic humour" (the Tab), and James Acaster once wore a sticker of her face (partially by accident).
- May 2024
In this satirical black-comedy set in the mid-2000s, a traumatic career-ending injury splits the trajectories of two promising football academy bros, with Wesley Lennox becoming an arrogant sporting star, while his former best friend Tricky falls into a life of increasingly reckless football hooliganism. What happens when a no-nonsense nanny and a secret relationship enter the mix?
- May 2024
Pack your boxers, tape your tits, break your voice and embrace the power of being a silly little man. Get roasted by the psychiatrist for your lack of rizz, get roasted by the national press for being too woke, get roasted by your friends for being bottom of the pecking order. (But there’s nothing wrong with being bottom, even without a prostate.)
Join Cambridge Footlight Kae Deller as he takes you on a madcap journey of trans-masculinity and self-discovery, a journey that will contain doctors, actors, politicians and, embarrassingly, Vulcans.
Warning: Sad monologue about the evils of transphobia not included.
- May 2024
Adapted from the renowned play Thunderstorm by Cao Yu, often hailed as the ‘Shakespeare of the East’, this play stands as a milestone in the development of mature Chinese modern theatre.
‘All is submerged in the ruthless well of the cosmos.’
There emerges an icebound affair traced for thirty years, and there submerges a successional withering of love and desire. On a hot summer day, an unexpected woman returned with an erupted thunderstorm to Zhou’s residence looking for her daughter, and discovering her beloved girl involved with the family’s young master. The wheels of fortune rotate, reeling off every secret hidden beneath the luxurious house…
Not only is the play one of the most influential tragedies in the history of modern Chinese theatre, Cao Yu’s Thunderstorm is an elegy of love and desire that appeals to a universal audience across time and space.
Eight years after the last time modern Chinese drama was on ADC’s stage, we’d like to bring an adapted version of Thunderstorm featuring a revolutionary presentation of aesthetics and narrative supported by a digital vision.
- April–May 2024
Vignettes is a play of two halves: past and present, fever dream and reality, cause and effect. Frayed at their seams, however, the acts have an intimate yet strained relationship with one another- a tension present amongst the characters themselves. An unflinchingly all-access tour of a tortured psyche, the play tackles masculinity, sexuality, hereditary trauma, adolescence, the vital importance of art and the crushing burden of the past. Told through voices which ring out with continual authenticity, sometimes comfortingly, often chillingly, central to Vignettes is a poignant sense of realism; whilst often choosing to present itself in a surreal lens, the play has human tragedy at its core.
- March 2024
Bread Theatre & Film Company in collaboration with FUSE proudly present a reading of Jackie Sibblies Drury's play "We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884–1915".
The play is a comedic dramatization of the largely forgotten Herero and Namaqua genocide which took place in Namibia between 1904 and 1907 when the region was a German colony, after Germany confiscated tribal lands and the Herero people rebelled. The retribution over four years by German soldiers resulted in more than 65,000 deaths. The play deals with the enormity of this story by introducing it through the actors of a "presentation" which is intended to tell the story, and shows how the various players respond to the gruesome facts during first rehearsal.
- February–March 2024
Tell all the aunties and uncles (even the ones that you've never heard of): Second Generation is back!
We're here again with the fifth iteration of the student-written sketch show, introducing new BME faces to the comedy scene. Come join us for a night that's bringing the heat and humor to the ADC stage for another year!
From your massive extended family mischief to watching hard-boiled eggs take over brunch, Second Generation: As Gen Z become Aunties promises to be a night of fun, nostalgic third world problems and everything nice.
- February 2024
For four evenings this term, CUMTS host a night where people can come along and sing a musical theatre song for a smaller audience in a less intimidating venue (the ADC bar). The atmosphere is always friendly and uplifting, and the performances are always of a top quality.
The most wonderful thing about these shows is that the more intimate setting allows for those less confident performers to feel more comfortable in their singing and eventually move onto principal roles in bigger shows. You never know, any Bar Night participant might just go on to be the next big star of the stage! Not only that, but also the range of performers means that there is always a range of songs and dynamics to fit every audience member's needs. Whether you're into comedy or you're a hopeless romantic, there'll be something for you!
For the third bar night of the term, in line with our goals to diversify the musical theatre scene and increase accessibility, CUMTS are working in collaboration with Bread Theatre & Film Company to bring you a Bar Night made up entirely BME performers who will be singing all of their favourite songs from musical theatre.
It's going to be an amazing night so please don't miss out! Buy your tickets now!
- February 2024
What if you code-switch so hard
That you just switch?
That it just becomes the code?
What do you get when you put a Black-British Caribbean working-class woman in a predominantly white institution that seems to be praying on her downfall?
An identity crisis, that’s what.
‘Blackboard’ follows Adina, a headstrong, politically-minded 18-year-old starting her first term at the prestigious Fawcett institute, as she struggles to reconcile her attendance there with her identity. Watch as she attempts to navigate academia, friendship, love, and what seems to be an endless sea of microaggressions while the judging voices of her friends, her melodramatic inner-voice, and the enigmatic Black Council echo.
Will she crumble under the unbearable weight of impostor syndrome and ignorance? Will she remain true to her values, keeping her ‘Black Card’? And what’s up with the mysterious blackboard that seems to track her every mistake?
- February 2024
Liminal Space is Dominika Wiatrowska’s (almost) one-woman show about growing up in Poland, learning English as a second language and moving to the UK alone at the age of sixteen. Join her at the Corpus Playroom for an hour of storytelling, dance, and celebration of Slavic culture.
Learn answers to your burning questions, including: Which city's statue of Jesus reaches higher than that of Rio de Janeiro? How could we redefine the word 'prolific'? And how does it feel like to live life in a Liminal Space?
- February 2024
Reviews
⭐️⭐️⭐️⭐️⭐️
"You'll be kicking yourself if you don't watch it. It's courageous, outrageous, and unlike anything you'll ever watch" - Salma Salifu for The Tab
"This is not just a well-produced, well-directed, well-acted play, but one that has emotional power and is incredibly current" - Evan Grandidge de Paz for The Tab
https://thetab.com/uk/cambridge/2024/02/14/review-fairview-174714
"Chen and Bisiriyu have directed a revolutionary piece of art [...] It's productions like these [...] that can spur real tangible change" - Tirza Sey for The Cambridge Student https://www.thecambridgestudent.co.uk/culture/fairview-review-a-masterclass-into-the-power-of-observation
"Fairview changes what it means to watch theatre" - Alice Mainwood for Varsity https://www.varsity.co.uk/theatre/27095
About the show
I’ve been trying to talk to You.
This whole time.
Have you heard me?
The Frasier family is gearing up for Grandma's birthday, and Beverly needs this dinner to be perfect. But, the silverware's wrong, Jasmine is drinking, Dayton isn't helping, Keisha is being a typical teenager, and Tyrone might not show up at all. As Beverly's hostess neurosis begins to get the better of her while her family acts like a family, Keisha's adolescent malaise starts to seem like maybe it could be something else.
Hailed by critics as "astoundingly smart and riveting", "dazzling and ruthless", and "unforgettable", this Pulitzer-prize-winning play invites audiences to question and process the act of watching. What happens if you do?
- January 2024
Life is brutal to the best of us, but some more so than others. Join former Pointless contestant and Cambridge Footlight Diya Shah in her debut stand-up comedy show, as she takes you through the highlights and lowlights of her life so far and explores whether it’s better to laugh or just cry as the world throws endless character-building events her way. Don’t miss this one night only opportunity to help her decide just how much the universe conspires against her – whether you end up laughing with her or at her, she doesn’t mind too much.
- February 2023
- November 2022
Got a light?
Ashtray is a play about those little interactions in the smoking areas of queer bars. Whether it's the fleeting compliment, a quick snog, or a conversation which makes you a new friend for life. In the show, we follow three different stories of people who love and fight out in the cold.
There's something for everyone here in the piece of new student writing which uses the space of the smoking area to interrogate desirability politics, gentrification and more, but also to tell very human stories which we can all connect to.
- November 2022
The stories follows four people of colour, unconnected in all ways except for their melanin. We watch them reveal their innermost struggles and joys to a chorus and see how they are welcomed but occasionally shunned by their own.
It is a celebration and warning about the tensions that define black culture. These stories are personal and intimate markers about the Black Women. It is infused with movement that breathes life into the play.
- May 2022
Puccini’s Madama Butterfly was a glorified story about an American navy boy in Japan, failing his oriental love for his soon-to-be wife, Butterfly.
In an alternative universe of 1960s China, amidst the rise of the cultural revolution, Rene Gallimard, a French diplomat newly tasked with high-profile intelligence, falls in love with a mystical Beijing Opera singer, Song Liling, in his attempts to escape the expatriate circles. Restraining physical contact, Song cites Confucian modesty, but Rene is dissatisfied — he must create his fantasies — of Song, of the Orient, and even of his motherland, France, to live through the next two decades.
Welfare form: https://forms.gle/pwr3iBmbom1Rrk8a6
- May 2022
The Chair traces the key transitions in a Singaporean family’s ancestry, observing the evolution of a bloodline from rough immigrant labourers to educated businessmen and women. The members of the family gain affluence, survive war, and fight among themselves, with a chair being passed from generation to generation, witnessing it all. The importance of this story lies in its characters and how they are portrayed, the nuance of Singaporean behaviours and relationships, and the shared history of the nation. This show is meant to provide an insight into what makes Singapore and its people the way it is.
- March 2022
Second Generations: Ice-cream Tubs and Tupperware - a night full of spicy surprises!
Tell your parents you’re in the library and join us in the third space, where cultures can clash and aunties are on the lash. Introducing the freshest comedians of colour on the block, this sketch show will make you laugh harder than a burnt roti. Brought to you by Bread, the company behind Second Generation and Second Generation: Integrated (the titles are getting progressively more snappy, I suppose).
- June 2021
‘The Trouble With Today’s Women’ is a verbatim piece of devised theatre. The show title takes inspiration from Sudha Buchar’s ‘The Trouble With Asian Men’. With performers and collaborators in different geographical locations, the show explores the experiences of women of colour in the modern world and grapples with the dissonance that they face navigating their personal lives. This production will explore pluralities of positions instead of a single meta-narrative, through the authentic voices of performers that will navigate themes of fragmented identity. Developed through workshops and interviews, personal stories on various themes will be adapted for a multi-media performance.
