- June 2007
"All the world's a stage, / And all the men and women merely players"
Orlando's brother Oliver is plotting against his life. Rosalind's father Duke Senior has been banished by his brother Duke Frederick. Duke Frederick then also banishes Rosalind. Eager to escape the perils of court life, all three banished persons retreat to the pastoral bliss of the Forest of Arden; a place of song, dance, disguise, and most importantly: love. Cue cases of mistaken identity, murderous plots and wedded bliss! This Mayweek will see a unique collaboration of a Pembroke Players' production in the intimate setting of Emmanuel college fellow's garden with one of Shakespeare's relatively lesser known, yet highly entertaing, pastoral comedies.
- June 2007
"All the world's a stage, / And all the men and women merely players"
Orlando's brother Oliver is plotting against his life. Rosalind's father Duke Senior has been banished by his brother Duke Frederick. Duke Frederick then also banishes Rosalind. Eager to escape the perils of court life, all three banished persons retreat to the pastoral bliss of the Forest of Arden; a place of song, dance, disguise, and most importantly: love. Cue cases of mistaken identity, murderous plots and wedded bliss! This Mayweek will see a unique collaboration of a Pembroke Players' production in the intimate setting of Emmanuel college fellow's garden with one of Shakespeare's relatively lesser known, yet highly entertaing, pastoral comedies.
- May 2007
Escape revision, chill out and chuckle in the company of Cambridge's coolest comedians... Friday 4th May, 8:00 for an 8:30 start Pembroke New Cellars Drinks served To reserve tickets, or to arrange an audition, email comedy @ pembrokeplayers.org.uk or visit www.pembrokeplayers.org.
- March 2007
On his travels, and eminent British writer stumbles across a set of memoirs, which he concedes might make a good play. Even this 'provincial' story could be saved from obscurity by an 'artistic' adaptation that he is quite willing to provide.
In the white heat of the afternoon, the residents of the tiny village of Perdido await he arrival of the Guagua. As the play unravels, the paradoxes of the writer's heavy-handed interventions compete with the tragi-comic stories of the villagers. Intrigues of love, power and betrayal unfold, and somewhere in the play the original author of the memoirs is growing impatient...
- March 2007
Enter a Catholic world of blurred edges and deepest shadows. See madmen normalise before your eyes and the civilsed become like animals. Every step you make will be an exercise of will in this promenade performance. Choose between the clown cabaret, the holy romance, or a grotesque homicide. Two things are sure: you cannot see it all and you cannot trust that what you see is true.
- March 2007
“How long have you been here?”
Experience the surreal figures of the bitter “Thump,” the glutton “Guzzle,” the vain “Gazer,” the medicated “Gloom,” the chatterbox “Gossip,” and the indecisive “Twittering,” with their respective inner worlds of entrapment and illusion.
Enter their cage and “home”.
Watch as their bizarre characters unfold, and then how their deluded inner worlds are threatened with the entrance of “The Wild One:” their newest “cage companion;” bent on escape.
Will the Wild One succeed in her aim of breaking free from the cage?
Or are all the Cagebirds destined to remain trapped, oppressed by the authoritative “mistress” who rules over them?
Campton’s play presents a poignant exploration of freedom and oppression; considering what happens when one individual attempts to initiate change; and subsequently posing serious questions as to the kinds of self-imposed mental and physical “bird-cages” we may all entrap ourselves in.
- February 2007
Charley loves Amy and Jack loves Kitty. The boys are on the point of proposal - but it must be done quickly. This being the 1890's, to get the ladies away from their dour guardian a chaperon is required. Enter Charley's Aunt - a millionairess from Brazil, visiting Oxford and her nephew that day. However, events take an unforeseen turn when the real Aunt is delayed. Undeterred, the boys press in a thespy friend to impersonate the real Aunt - who then manages to arrive on time after all...
Book tickets at: www.pembrokeplayers.org
- January 2007
The times are bad in Chicago. Arturo Ui, a small-time gangster with big-time ambition, is on the prowl. His prey? Vegetables. Cauliflowers, to be exact. The moral bastion of the city is bribed, the witnesses are silenced, one way or another, and the moral line blurred - this isn't just about eating your greens.
Brecht wrote The Resistible Rise in 1941 as a parable of Adolf Hitler's rise to power; Ui (Hitler) is joined by a company of hardened gangsters, including a florist (Givola/Goebbels) and 'super-clown' (Giri/Goring). A down-and-out actor gives Ui lessons in public speaking. Chopin's Funeral March plays in dance time. Slapstick is fused with hard-hitting political comment. The stage is heaped with corpses, and Chicago's cauliflower is covered in blood.
In an explosive and slick production, this important text will be given a new lease of life. Think a silent movie of Alice in Wonderland. The company will create a flower shop, a coffin and a court room using nothing but their bare hands (and a dozen umbrellas).
- November 2006
- June 2006
- March 2006
- February 2006
A new adaptation of Flann O’Brien’s cult novel, The Third Policeman, brings devilish policemen, human velocipedes and eccentric philosophy to the stage. Follow our one-legged hero as he limps his way through a surreal world of guilt, gags and rap-trap pedals. If you’ve killed a man with a spade or fallen in love with a bicycle, this is the show for you. Sinister smiles, weird words, macabre melodies, curious characters and oiful Oirish!
MURDER mystery. Hilarious COMEDY. Romantic LOVE. Village POLICEMEN and lots of BICYCLES.
- February 2006
Bound by circumstance, a father and daughter find themselves boarded up in a bed. She's got polio, and he's obsessed with furniture sales. Join us for arse-licking, murder, and arson: an extraordinary adventure stretching from Dublin to Gay Paree, as they rage down their twisted memory lane with toxic humour. In a fragile nightmare bordering on breakdown, father and daughter exorcise their pasts, and struggle towards tenderness: a misplaced bedtime story.
- February 2006
On 22nd July 1928 in the dusty heat of Andalusia, a young bride flees with her ex-lover on her wedding night to a dank forest where death waits.
Based on a true story, one of the 20th century's most celebrated writers, F.G Lorca, uses the 'crime of Nijar' to investigate illicit desire, repression, ritual, and constraints of the community. Using a bold new translation, a large cast fuse music, drama, poetry and electro-tango to present a dark and poetic vision of love as a precursor to betrayal and violence.
- February 2006
THREE PLAYS. THREE SECRETS. THREE LINES CROSSED. Neil Labute's acclaimed and demanding short play cycle presents three stories, unconnected in character, place or plot, but somehow irrepressibly linked. Three people have three secrets that they have told nobody. Tonight, all they want to do is tell you.
bash: 1 (v) to hit; = "he bashed him with a stick" / 2 (n) A party, esp a good exciting one: "Her little soirée turned into a real bash" / 3 (n) An attempt; = "come on then, let's give it a bash"
www.whatsyoursecret.co.uk
- February 2006
- November 2005
The enigmatic figure known to the world of mad science only as ‘The Doctor’ and his gormless assistant, Arthur Nice, are hungry little moles. And they’re certainly going to gobble up lots of worms. Such worms as: human decency, basic morality and rigorous, empirical scientific research. A comedy extravaganza of top-hatted frock-coated mad science not to be missed.
In his underground lair (in the murky depths of the Pembroke new cellars) the doctor has called together the greatest cracked pots of his generation to partake in the 1st annual symposium of the association of crazed, reprehensible, odious and neurotic young men or A.C.R.O.N.Y.M. His aim? To bring to an end the all-to-long reign of good science and to usher in a new era of malignant, horror-inducing insane science. Or, failing that, do something really cool with acids.
But be warned. Enter his world and you enter a world of genetically spliced grotesques, a monstrous arena where mammals are forced to do battle armed with weapons they should never have got hold of in the first place, a place in which the greatest experiment ever conducted will take place, perhaps with uncontrollable results. You certainly aren’t in Kansas no more, folks, and Toto’s got a BB-gun.
This comic, chemically fuelled explosion is brought to you by two of Britain’s best young comedians. Adam Terry and Fred Crawley are recent graduates of Cambridge University (and were founding members of the Cambridge Comedy Club). Currently both are living in London and making their intrepid way onto the national comedy circuit. Come and see their critically acclaimed Edinburgh Festival Fringe tour show in its last three performances back in Cambridge. See them now, so you can say you saw them then.
“It is really funny. The script is so packed with one liners and throw away dry wit that you don't care it's late, you don't care that some idiot is drunkenly shouting "Gangster!" you just laugh.”
Three Weeks
“This is a fantastic show with a couple of guys who are seriously funny.”
www.edfringe.com
- November 2005
At the dark heart of master playwright Henrik Ibsen’s Ghosts lies the tortured fate of a woman denied any chance of fulfilment by a male dominated world. In Ghosts Ibsen damningly exposes the hypocrisy and limitations of a self-righteous society, and his subversive treatment of marriage, infidelity, incest and venereal disease provoked scandalized outcry when first performed. Yet ultimately it is the eternal question of the individual’s right to self expression and freedom which drives this powerful tragedy – a question voiced by Ghosts as shockingly and vibrantly now as it ever was.
- November 2005
ALL MY SONS opens on a Sunday morning in a garden in the Mid-West in August 1947. The day is to be burning hot but now it is cool as Joe Keller reads the want ads in the paper. The silence of mundanity hangs in the air as he, his wife and neighbours go about their weekend leisure. But his son has arrived home to marry the childhood sweetheart of his brother whose jet went missing over the South China Seas in the war. What follows is a devastating and tragic deconstruction of the American way of life- family, morality and community are all held to trial in Arthur Miller’s first great play:
“What was Larry to you? A stone that fell into the water? It’s not enough for him to be sorry.”
- October 2005
- October 2005
A story of two brothers and the tramp who comes to stay, The Caretaker is the most important play of one of the twentieth century's most important playwrights. This is a mysterious, obliquely comic and utterly unforgettable account of Aston, Mick, Davies, and the room that becomes their shelter and their prison.
The Caretaker perpetuated a theatrical revolution on its opening almost half a century ago and now three of Cambridge's finest actors make a fresh exploration into a modern masterpiece that terrifies, moves and delights all at the same time.
- June–July 2005
2005, finally, sees the revival of the 'legendary' Pembroke Players German Tour! This summer we'll be touring German schools and universities with a slick, traditional, flexibly staged production of everyone's favourite Wilde play. We'll also be running workshops with German students, giving actors a real chance to show their off-the-cuff skills, and techies time to fiddle with awkard foreign power supplies.
- March 2005
On Christmas Eve, two strangers arrive in the Irish village of Bochtan. The crops are blighted, and all must prepare for another year of poverty. But in the face of their misfortunes, the villagers begin a laughing contest... Years later, Mommo tells the story of this night of mirth, repeating it time and again without ever reaching its tragic conclusion. Every evening her tale intrudes on her granddaughters' modern lives, and its repetition seems to hide the secret of their broken family. But tonight, things turn out differently...
Tom Murphy´s unique combination of drama and storytelling has made him one of the most acclaimed contemporary Irish dramatists. In this grotesque Christmas tale, he addresses the haunting past of Ireland's poverty with all the fierceness of satire and the black humour of tragi-comedy. When bedtime stories go wrong, and families are torn apart by misfortune, what else can we do... but laugh?
- March 2005
"This is the game of life as we all have to play it." The devious Mrs. Chevely gatecrashes the party of Sir Robert Chiltern, MP, to inform him that unless he supports her fraudulent schemes she will reveal to the press that he made his fortune by selling a government secret. Trapped in the glittering, steely and unforgiving world of Victorian politics, Sir Robert, with the help of his suave, sophisticated friend Lord Goring, must walk the tightrope between corruption and disaster, and above all, prevent his secret from ever reaching the ears of his perfect wife, Gertrude. But Lord Goring has problems of his own. His irascible father keeps insisting that he marry, or do something else useful with his life. Mabel, Sir Robert's pretty and vivacious younger sister, is of the same opinion. Mrs Chevely is openly trying to blackmail him into marriage. But all he wants to do is... nothing.
- February 2005
INTRODUCING THE THEATRE OF TOM MURPHY: a round-table discussion with live
scenes from the theatre of an Irish outsider.
Introducing a mini-season of Tom Murphy’s plays in Cambridge, we would like
to invite you to a round-table discussion of his work on Monday the 28th of
February, at 5 pm in the English Faculty Drama Studio (Sidgwick Site). The
round-table will provide a general introduction to his work and place in
contemporary Irish theatre, with more detailed presentations and
discussions of live scenes from The Morning After Optimism (2-6th March,
10.30pm, Fitzpatrick Hall) and Bailegangaire (8-12th March, 10.30pm,
Pembroke New Cellars).
The speakers will be Dr Deana Rankin, Yvonne McDevitt, Liliane Campos and
Saraid Dodd. The discussion will be informal and all are welcome to take
part: no prior knowledge of Murphy is necessary!
‘On the Outside…’ Dr Deana Rankin, Fellow of Girton College, will introduce
Murphy and his position as an outsider in Irish theatre.
‘The Impact of EXILES (1912) by James Joyce on Tom Murphy’ Yvonne McDevitt,
director and Judith E. Wilson Fellow, will take a look at Joyce’s influence
on Murphy’s work.
‘A Theatre of Voices: voice acts and speech acts in Murphy’s Bailegangaire’
Liliane Campos, director of Bailegangaire, will analyse the tension between
voice and language in Murphy’s work. A short scene from Bailegangaire will
be performed for discussion.
‘The Morning After Optimism: should we show it to children?’ Saraid Dodd,
director of The Morning After Optimism, will give a director’s view on the
play. A short scene from The Morning After Optimism will be performed for
discussion.
- February 2005
‘Entrails feed the sacrificing fire, whose smoke like incense doth perfume the sky.’
Titus Andronicus returns to Rome from war with his remaining sons to face a violent election campaign between the dead Emperor’s two sons for power. Titus names the eldest son as Emperor, but in doing so he sets off a horrific chain of revenge, murder, rape and mutilation in which he is stripped of his pride, children and sanity.
One of the most rarely performed of Shakespeare's plays, Titus Andronicus penetrates the very heart of evil and brutality, yet still finds humanity at its centre.
- February 2005
If a part-time waiter and retired wrestler came to your front door, completely uninvited, and started to load the attic with enormous tanks of petrol, shamelessly explaining their plan to destroy the neighbourhood, you’d probably think they were joking. But this is exactly the situation thrust upon Herr Biedermann, a typically narrow-minded and unexciting bourgeois gentleman, who just happens to have a ‘very favourably situated’ house.
A comic allegory of the appeasement of Hitler, The Fire Raisers is a colourful tapestry of paradox. It deals with delusion, persuasion, political blindness, the folly of mankind, and yet all in such a darkly hilarious way that you won’t know what to feel.
Comedy, original music and lots of mind warping psychology: this show is guaranteed to blow you away.
- February 2005
'Inspired by a true story of a young black con man, Paul, who insinuates himself into the lives of wealthy New York couple, Ouisa and Flan Kittridge, claiming he knows their son at Harvard. They are captivated by Paul's fascinating conversation and allow him to stay with them, but discover him in bed with a young male hustler. They discover friends of theirs have had a similar run-in with Paul. Intrigued, they piece together the connections that gave Paul access to their lives. Meanwhile, Paul's cons unexpectedly lead him into darker territory. As the final events of the play unfold Ouisa suddenly finds herself caring for Paul, feeling that he gave them far more than he took, and that her once idyllic life was not what it seemed to be...' An exciting and engaging piece of contemporary theatre. A tight, stylized production, focussing on isolation, paralysis, social responsibility, and how we are only ever separated by 6 degrees from any other person in the world.
- November 2004
After his mother runs off with a bisexual trainee dentist and his American cousin leaps unceremoniously out of the closet, David is forced to confront difficult issues about his own sexuality. As his best friend Jane tries to get her mother to understand what a lesbian is and his father Derek is keen to ensure he doesn't let the family down by becoming an uphill gardener, this new comedy proves that from chaos can come a happy conclusion!
- November 2004
Born a slip of a girlyboy named Hansel in commmunist East Berlin, escape was only possible via a dodgy sex-change operation, a marriage to a lecherous American GI, displacement to a Kansas trailerpark and a quest to become America's biggest rock star. But the newly-christened Hedwig didn't count on meeting Tommy Gnosis - the love of her life, who stole her songs and became a star without her. Tonight, Hedwig is about to exorcise a few demons, tell us a few home truths, and play the most raucous, raunchy rock show Cambridge has ever seen, whilst Tommy himself plays at the Corn Exchange nearby.
A cult hit across the Atlantic, this is its first ever amateur student outing. Douse yourselves in blood and glitter for a unique rock musical. You'll laugh You'll cry. You'll get Hed.
- November 2004
LIFE: The work of John Donne.
CANCER: Ovarian; aggressively metastatic.
DEATH.
This award-winning play stretches one woman's emotional solitude in the long journey through cancer. Professor Vivian Bearing undergoes chemotherapy that drains her of all energy and reserve. As the treatment and tumours progress, Vivian comes to depend on simple human kindness, and reassesses with profundity and humour, the principles which guided her life.
With proceeds to Cancer Research
- November 2004
This year sees a renaissance for the Pembroke Smoker of yesteryear, back when a young Clive James was running the show and a certain bunch of Pythons were sliding across the boards for the first time. Cambridge's finest comic talent at one of its finest settings combine to provide all the ingredients needed for a night of cummerbund creasing hilarity.
Dress is Black Tie. Jazz and free glass of bubbly from 8.30pm. Comedy from 9.30pm. Champagne Cocktails and the like available all evening.
With £50 audience-voted prize to best comic act!
Proceeds to support one of Cambridge's most active charities, the SCA.
- November 2004
The Bacchae is the ultimate Greek tragedy, combining tense dialogue, unforgetable characters, matricide, mass slaughter and a little bit of lesbianism to keep everyone's attention. This brand new re-working combines original text with modern langauge to create a new and exciting play set in the world of the 1920's, featuring sex, violence, unbelievable magic and "all that jazz"!
"Simon Evans’ version of The Bacchae is an assured and vigorous performance
text. The writing is sharp and urgent, giving a contemporary feel without
ever seeming self-conscious. None of the play’s challenges were ducked – in fact, several were given illuminating interpretations... The theatrical concept was extremely effective... There was a highly unified feel to the piece, and in terms of writing, directing, design and acting."
Dr Peter Raby (editor of numerous Cambridge Companions, including Oscar Wilde and Harold Pinter)
"This was a very exciting piece of theatre – coherent, original and
theatrical... Simon Evans’ version is vivid and playable and his ensemble highly talented."
Simon Waters, author of “World Music” (Donmar Theatre, 2004) and “After the Gods”
- November 2004
When divorced couple Elyot and Amanda discover they are occupying adjacent apartments on the French Riviera, there is potential for sparks to fly. The fact they are both there on honeymoon with their new respective partners sets the scene for Coward's wittiest comedy.
Coward assesses the farcical and the serious; the passionate and the plain, in an hilarious presentation of man's ever-conflicting desires.
- June 2004
Salad Days is a light hearted, comedy musical set in the early-mid 20th century, in an almost Shakespearian style, combining magical singing pianos and flying saucers from outer-space! Staged on Pembroke's bowling green (the oldest in Europe!) in the anticipated sunshine and frivolities of Mayweek, the production will be popular, a lot of fun, and a good break from work!
- March 2004
"What we're trying to do is write cricket bats, so that when we throw up an idea and give it a little knock, it might...travel..."
Art within life ... life within art ... Stoppard's "The Real Thing" explores relationships, life and love in a complex and witty web of playful theatrical games. Henry, a playwright and intellectual, weaves his words for a living, but where does the boundary between writing and living lie? Why does a man so engaged with his art find it so hard to express his love for Annie? ...And just what is it about cricket?
