- September 2014
For its 15th year, CAST will once again be touring the USA in September with a company of Cambridge's finest actors, directors, designers and crew.
Hero and Claudio are falling in love, but aren’t a strong enough pairing to outplay the scheming Don John. Meanwhile, old sparring partners Beatrice and Benedick revel in their war of words, but neither wants to get married and certainly not to each other. As they take up opposing corners, matching each other line for line, their friends team up to plot a way to bring them together.
For this cast of players, it’s a game of five acts.
Filled with live music, a line up of vibrant characters and sparkling dialogue, this is Shakespeare’s comedic skill at its absolute best. As devious strategies are prepared, sides drawn and redrawn, and untruth after untruth exposed, the outcome of each romantic match is just too close to call at least until the final hand has been shown.
- June 2014
BRAND NEW COMEDY WRITING. Once-famed super villain Lord Asgoroth and his trusty minion, Minion, awake from their centuries-long slumber, ready to wreak havoc on medieval England. Only, they’ve overslept by 900 years, and have instead awoken in the present day. Can our demonic heroes overcome Snapchat, Tinder, and CRB checks to take on the 21st century, and fulfil their destinies? Probably not. But they’re going to give it a ruddy good try. Inconceivable is a comedy romp through modern life as we know it, as our two pre-historic demons find themselves unexpectedly going head-to-head with new technologies and social phenomena to try and conquer a cynical, self-absorbed Britain, one selfie at a time.
- June 2014
Oliver Taylor is a Lively Orator. As a member of the Cambridge Footlights he has spent much of his supposedly life-saving medical degree shouting at people all over the city and delighting in the way that they look both entertained and frightened. He is loud, energetic, and undeservingly self-confident. However, as an evening of possessed poetry books, machines that fling Kit-Kats into the audience, skeletons in the closet (literally), jokes that have come to life (literally) and disgruntled producers trying to sabotage the show unfolds, it will become apparent there is something not quite right about this performance. Behind Oliver’s already pretty disturbing fascade there is a dark secret, and it’s no joke. Though it is funny.
- June 2014
Musical comedy troubadours I am, I am are back, with fun and joy and songs.
After their debut success in 2012 they've been storming the circuits, gracing the BBC stages and successful finalists at the 2013 Musical Comedy Awards. With a brand new hour of tunes and tomfoolery, these graduates from the Cambridge Footlights school of comedy are seriously not to be missed.
Previous praise for the production:'If you are any kind of remotely ok person currently living in the world, go see this show.' ***** - The Tab.
- June 2014
- May–June 2014
A dramatic reworking of this inspiring show that brings contemporary relevance to the triumph of hope and joy.
Through the struggle to find unity and peace in a troubled community, the memorable music of the original show is brought to life in a story of our own times. The familiar tales of the Parables, at the same time joyful and thought-provoking, take the disciples on a journey of hope that eventually inspires even their less easily convinced companions.
Raise your spirit with a unforgettable show featuring the popular hits 'Day By Day', 'Light of the World', and 'Turn Back, O Man'.
- May 2014
Cirque du Bombay will transport us to the streets of Spain, a movie set, a vibrant art gallery where paintings come to life, and experience the tremors of a macabre carnivalesque earthquake, as evil triumphs over good. The show will combine Indian Classical dance forms, Ballet, Flamenco, Contemporary, Hip Hop and Bollywood to deliver a night of surprise, intrigue and delight! Come and audition whether you have some experience or none! We are looking for all and any levels of dance, so get involved!
- May 2014
"What's it going to be then, eh?"
Alex and his vicious teenage gang revel in horrific violence, mugging and gang rape. Alex also revels in the music of Beethoven. The gang communicates in a language which is as complicated as their actions. When a drug-fuelled night of fun ends in murder, Alex is finally busted and banged up. He is given a choice - be brainwashed into good citizenship and set free, or face a lifetime inside.
Anthony Burgess's 1987 play with music, based on his own 1962 novella of the same name, promises to be an excitingly provocative production, presented by Cambridge Shortlegs with the Dryden Society
- May 2014
- May 2014
A new hour of stand-up from the people who between them brought you Dumpf, Dressing Down, Three White Guys, Three White Guys 2, two Footlights Spring Revues, the 2013 Footlights Pantomime, Gagamemnon, Four Comedic Porpoises, Um, Puns and Roses, Cheese (And Other Things That There Are), and countless college and Footlights smokers.
BEN POPE: “Lines so beautifully crafted they bordered on poetry. Single, you say, Ben? Call me.” – The Tab “Left the audience gasping for breath” - Varsity “Deserves a medal for sheer hilarity” - TCS
ARCHIE HENDERSON: “Stole the show… had me giggling from the first word” – TCS "Brilliant” – The Tab “I can safely say that Archie Henderson has a gift” - Varsity
MILO EDWARDS: “Fantastic… had me in hysterics” – TCS “A total crowd-pleaser” – The Tab “Well-judged and intelligent” – Varsity
CHARLIE PALMER: “A great act, endearing as well as funny” – TCS “Charlie Palmer will go far” – The Tab “The highlight of the evening” - Varsity
- May 2014
London 1913. The Suffragette Movement is at its height. Emily Davidson has just fallen in front of a horse. Thousands of women of all classes serve time in Holloway prison in their fight to gain the vote. Prime Minister, Herbert Asquith discusses the issues in parliament. Lady Celia Cain feels trapped by the policies of the day and a frustrating marriage. In prison she meets a young seamstress, Eve Douglas, with whom she begins an affair. Passion and politics coalesce as they pursue an erotic and intense affair. Eve is subjected to force-feeding, and slowly their relationship and the sanity of their minds fall apart as Celia uses her position of social privilege to leave prison. Finally, Eve breaks down in prison and Celia leaves her husband, William. This is a play where personal lives intermingle with politics and women struggle to get their voices heard in a patriarchal government.
The independent called it “a great drama about women, by a woman” and Michael Billington of the Guardian gave it 4 stars and declared that “Lenkiewicz’s real concern is to show how female militancy transcended class and sexual convention.”
Her Naked Skin was the first play written by a woman to be performed on the Olivier stage at the National Theatre in 2008.
- May 2014
''It’s funny the things you’ll do when you’re in love. Things that you thought were bad or cruel or unchristian. Well they all become right, just, in the face of love. Don’t they Frank?''
A modern melodrama in a graveyard at night. Frank and Charlie are burying a body. When the night is through they can collect their money and all will be well. As the evening spirals out of control the pair find themselves on a landfill site with a corpse to get rid of.
If there is morality, is it worth more than money?
''A bold and compelling story.'' - Tom Basden
Footlights present the winner of this year's Harry Porter Prize (set up in 2003 in honour of the late Dr Harry Porter, Footlights' long-term Senior Archivist) for a one-hour comic play.
- May 2014
- May 2014
- April–May 2014
Four survivors of a train crash, all of whom have lost family members to disaster, leave the court following the acquittal of the driver, who has been found innocent of any gross negligence or misconduct. Unsatisfied with the verdict, and driven by their grief-stricken sense of righteousness, the group resolve to exact their own form of justice on the man they believe murdered their loved ones, by whatever means necessary.
- April–May 2014
“I can see him. With vineleaves in his hair.” Hedda Gabler is bored, and that's dangerous. Stuck with her dull, dependable husband in her stifling new mansion, she wants a destiny to control – if not her own, then someone else's. And an old friend re-enters her life. In him, Hedda sees potential for something great and beautiful. A window into a world that cannot be hers. How far will she go in her pursuit of power? Hedda Gabler is a psychological masterpiece that gnaws at the very heart of tragedy.
For more information, email jh807
- April 2014
Corrie and Paul are newly-weds who have just moved into their cold eyrie apartment in New York. Corrie is starry-eyed, Paul less so after staggering up five flights. Their house seems to be populated by unusual people, the most bohemian being Victor whom Corrie finds entertaining. Corrie tries matchmaking between Victor and her lonely mother but after a disastrous dinner party she learns that walking barefoot in the park may not necessarily denote joie de vivre - in February it is simply silly!
Further information: sallymarsh@bawds.org
- March 2014
- March 2014
There are parallel universes everywhere, or are there? There are parallel universes everywhere, or are there? etc
Previous praise for the writer/performers:
'when you can make an audience chuckle between skits, you’re onto something good.' - The Cambridge Student
'Basically, these guys are great, unpretentious and funny, simple as that. Go see them.' - The Tab
'ingeniously original' - Varsity
'top-grade student comedians' - The Cambridge Theatre Review
- March 2014
‘Careful the tale you tell, that is the spell’.
Stephen Sondheim and James Lapine’s Tony Award-winning masterpiece warns us to be careful what we wish for, and questions what comes after ‘happily ever after’, bringing new life to the Grimm Brother’s most famous fairytales.
A lesson on parenting, growing up, and morality, ‘Into the Woods’ is a dark and magical journey into the unknown ‘where witches, ghosts and wolves appear’. With a captivating score and dazzling illusions, this show is at once heart-warmingly funny, devastatingly tragic, and inspiringly hopeful, teaching that ‘nice is different than good’.
- March 2014
From the writers of 'Dressing Down', 'The Princess and the Pea', 'Lost Property' and 'Esio Trot' comes this year’s Footlights Spring Revue, a chronological odyssey through the history of the universe - from the Big Bang to the invention of the iPhone and everything in between. Why not take a whistle-stop tour through the primordial soup, up the Jurassic coast, down the Fall of the Roman Empire, into the House of the Tudors, and back to the Future in time for tea? And all in 90 minutes.
Brace yourself. This is as big as it gets.
- March 2014
A father and son, trapped in a maze of their own making. A bullish monster. A barren beach. An inventor and his hopes. An apprentice and his folly. A striking piece of physical theatre, thing with feathers promises to surprise, delight, move and inspire.
- February–March 2014
7 July 2005. Riding high on the victory of the Olympic bid, London is buzzing. The rhythm of the city is intoxicating. But national pride comes, inevitably, before a fall; a betrayal of the nation; mass-murder, made-in-England. Through seemingly unrelated narratives emerge the entwined journeys of ordinary people. This is a portrait of our own England seen through a kaleidoscope: a vision at once fragmented yet unified, mesmerising yet repulsive, disorientating yet starkly familiar.
"It has a throb and pulse of its own. It feels latent. It feels charged. It feels sprung. As though something remarkable is going to happen."
- February–March 2014
"Whether we fall by ambition, blood, or lust, Like diamonds, we are cut with our own dust"
Fascist Italy, 1933. Two despotic brothers tyrannize their own country. But their corrupt and merciless regime struggles to contain one ungovernable force: their sister. The Duchess.
She seduces the man she loves in defiance of her brothers, but their obsessive jealousy follows her at every turn. As she fights for the life she wants, the Duchess draws ever closer to her terrifying fall.
This production of Webster's dark and thrilling play will use film, sound and a powerful aesthetic to recreate Mussolini's world of false propaganda and brutal masculinity, where lust and violence reign.
"Your darkest actions, nay, your privatest thoughts, will come to light."
- February 2014
Dűmpf is a sketch show combining fast-paced sketches with musical comedy.
Archie and Adrian want to talk about some issues. Unfortunately the only way they can get anyone to listen is to write a comedy show, so that’s what they’ve done. The product, Dümpf, is a whirlwind of thoughts, desires, sketches and songs. But also issues.
In a whirlwind of thoughts, desires, sketches and songs we invite you venture into the deranged world of Dűmpf.
Previous praise for the writers includes:
‘Brilliantly original and often daring’ - The Cambridge Student
‘Hilarious’ - The Tab
‘A delightful taste of musical comedy’ - Varsity
- February 2014
The CU Show Choir returns to the stage to take on some of the greatest British hits. From the Beatles to Bonnie Tyler to Bastille, we’re going to take you on a journey through our nation’s musical history in celebration of all things British.
So put down your crumpets, old chap, whack out the Pimms and come enjoy the songs that make our country great. God Save... Queen?
- February 2014
- February 2014
'Let none escape, murder the Huguenots.
Kill them, kill them.'
Paris is on edge. France is at war with itself as Protestant and Catholic vie for control. The King of France decides that it is time to remove the 'threat' once and for all while his loyal advisor, the Duke of Guise maintains his own pursuit of power. And so begins one of the bloodiest massacres of French history.
As part of the 450th Anniversary, this short play of Marlowe's about the St Bartholomew's Day Massacre is set to shock in exploring this brutal event instigated by brutal people in a modern day context.
No one is safe.
- February 2014
“They say you changed the whole sky and everything under it, Sergei Pavlovich. What does that mean?”
Rona Munro’s 2011 play, originally performed by the RSC, charts the fascinating life and largely untold story of Chief Designer Sergei Pavlovich Korolyov, who in spearheading the Soviet space programme, set humanity on a course to the stars. Munro’s play is one about personal endeavour in the face of personal and political strife, and ultimately tells a human story of success, enthusiasm and defeat. Although Yuri Gagarin was the first human being to ever look back on the Earth, Sergei Pavlovich Korolyov was the man that put him there.
- February 2014
The Cambridge University University Musical Theatre Society presents its annual Gala night - a one night extravaganza of everything from Shwartz and Sondheim to Schonberg and Styne complete with solos, chorus numbers, choreography, a full band and a good sprinkling of glitz and glamour. The Gala is looking for performers old and new alike for what is guaranteed to be an evening of outrageous fun. Auditions are to be held on Saturday 30th November and Sunday 1st December, 13.30-16.00 - venue TBC. Applications are also open for Technical Director - email rth26@cam.ac.uk and sjm263@cam.ac.uk for more information.
- February 2014
SPLIT is a one-chair-show, ably supported by a single man who is not Colin Firth. Clatter through the lives of the troubled and the tactless as they strain to connect with each other and mitigate their own lonely pointlessness.
- February 2014
WAR IS PEACE
FREEDOM IS SLAVERY
IGNORANCE IS STRENGTH
The world is crumbling and the British people have turned to The Party to keep them safe. Britons have willingly sacrificed their rights and freedoms in order to protect themselves from an unknown yet ever-present threat. War constantly rages with an unidentifiable enemy; opposition is forbidden and futile; dissent is a crime and defiance is treason.
Adapted by Matthew Dunster, Orwell's classic novel is brought into the 21st Century to show a horrifyingly dystopian vision of our future.
- January–February 2014
- January–February 2014
‘A woman who expends her energy exercising the brain does so at the expense of her vital organs.’
It is 1896 at Girton College, Cambridge, and Elizabeth Welsh is preparing for battle.
Girton is the first college in Britain to admit women. The girls there have risked everything to go to University. They study ferociously. They match their male peers grade for grade. And they leave empty handed.
While the men graduate and are awarded their degrees, the girls gain only the stigma of being a ‘blue stocking’- an unnatural, educated woman. They are unqualified and, worse, unfit for marriage.
Principal Elizabeth Welsh is determined to win the girls the right to graduate, whatever the cost.
CUADC presents Blue Stockings in its first University Production following a critically acclaimed debut at the Globe just four months ago.
This Lent, the blue stockings return to Cambridge to fight for their right to an education.
'The only thing a woman can own is knowledge... We must build our Trojan horse and infiltrate from the inside.'
- January 2014
A chance meeting in a service station. A dance-off in an arcade. A private escort with a box cutter. A new dark comedy.
Adam and Harold, two strangers, meet at a Welcome Break. As time ticks away the pair sip coffee, discuss fast food, and break the ice.
And Adam realises two things. The first is that Harold is not the private escort he claims to be. The second is that he's sure he's met Harold before. When the pair step outside and Harold pulls a boxcutter, Adam's past begins to catch up with him.
"Ok, finish your nuggets, I'll get this blood off my hands, then it's hometime."
- January 2014
Cambridge University Dance Society invites you to spend a magical evening exploring the hinterland between dreams and reality. From the society that brought you Enigma comes a spectacle that showcases some of the best dance talent in Cambridge and will take you on an enchanting journey of fantastical discovery.
