- November 2005
'Orgy' is a shocking masterpiece by Italian filmmaker and playwright Pier Paolo Pasolini (Salo, the Gospel According to Matthew) that lays bare the seedy underside of middle-class existence.
- November 2005
Entering an empty house after an extended honeymoon with her mediocre husband, Hedda Gabler struggles with a life that is devoid of excitement and beauty. Unfulfilled by her marriage, she strives to find an escape from the conventional, stifling domesticity in which she finds herself. Her manipulation of men and disdain for traditional feminine values only lead Hedda to violence and tragedy.
- October 2005
Forget all the other Shakespeare shows you’ll see this term – the Fletcher Players are proud to present his finest female character, Lady Macbeth. Well, when we say Lady Macbeth we mean Lily Morgan. Plain old Lily doesn’t just want to audition for the role in her school play, she wants to be Lady Macbeth. Will her friends and family ever see Lily as anything other than quiet and uninspiring? And what will bringing her brother’s knife to the audition lead to? After all it’s only acting – isn’t it?
- October 2005
The play tells the story of Jack, a proud Yorkshire miner and his long-suffering wife Liz, who, every September go to Blackpool for their holidays. As they look back over their lives during their final holiday, Jack and Liz remember Blackpool’s heyday of the 1950’s and 60’s creating a nostalgic, bittersweet comedy which is sure to evoke happy memories of family holidays by the seaside in a celebration of donkey rides and deckchairs, sun cream and sandcastles and of course, the good old British weather!
- October 2005
A story of two brothers and the tramp who comes to stay, The Caretaker is the most important play of one of the twentieth century's most important playwrights. This is a mysterious, obliquely comic and utterly unforgettable account of Aston, Mick, Davies, and the room that becomes their shelter and their prison.
The Caretaker perpetuated a theatrical revolution on its opening almost half a century ago and now three of Cambridge's finest actors make a fresh exploration into a modern masterpiece that terrifies, moves and delights all at the same time.
- September 2005
Returning victorious from war, Don Pedro and his officers arrive at the English country home of Leonato, totally unprepared for the scheming, sex and celebration to come. Their rest and relaxation is ruined by beautiful daughters, and jealous, wicked half-brothers, as new passions are born, old flames are re-ignited and plans are made for both marriage and mischief.
With an occasional cricket match, afternoon tea on the lawn and perhaps even jazz, Shakespeare’s Much Ado About Nothing is a witty whirlwind of love and hate, tragedy and happy endings, teaching us that in the “merry war” of the sexes, no-one is safe from Cupid’s darts.
Hailing from the land of Shakespeare and cricket, this slick and professional true-to-life production is guaranteed to leave you mesmerized and yearning for those lazy sunny afternoons.
- June 2005
Cambridge Footlights alumnus, Alex Horne will be tackling one of light entertainment’s final taboos: the language of Latin! With his new interactive comedy show 'When in Rome: A Latin Adventure', Horne will build upon the success of his previous two innovative and semi-educational Edinburgh shows, 'Making Fish Laugh', which gained a Perrier nomination, and 'Everybody Talks', which earned him a Chortle Award. This year, Horne promises to teach his audience Latin in under an hour. If it comes down to a choice between an ablative absolute and a pun, you’ll probably get both.
The show is being previewed for a run at the Pleasance during this year's Edinburgh Festival, and is one of four productions being previewed by recent Footlights alumni in May Week.
"The most inventive show I have seen this year" - The Observer
"A winning blend of intellect and persistent playfulness" - The Times
www.alexhorne.com
- June 2005
Cowards (a group comprising recent alumni of the Cambridge Footlights) will present their strikingly innovative approach to the sketch-show format. In 2004, the group enjoyed a sell-out residency at the Hen and Chickens Theatre in Islington, and were twice Bruce Dessau’s ‘Choice of the Week’ in the London Evening Standard Metro. Cowards are led by double-Perrier nominated Tim Key, whose one-man show Luke & Stella triumphed in Edinburgh last year, and has recently been commissioned for a series by BBC Radio 4.
The show is a preview for their run at the Pleasance at this year's Edinbrugh Festival, and is one of four shows being previewed by Footlights alumni in May Week.
"Brilliant" - Esquire
"Exquisitely crafted comedy" - Chortle
"Marvellous" - Evening Standard
www.geocities.com/wearethecowards
- May 2005
Noon is the time when the devil and his demons are strongest in the world. Every good saint knows this. St. Eusebius certainly does. The trouble is, so does St. Pior. When the two meet in an Egyptian cave each is convinced the other is a demon sent to corrupt their immortal soul. The saints’ titanic struggle is brought to life with all of Peter Barnes’ characteristic humour and intensity. This is an intelligent and bizarre play from an often overlooked playwright. This is a fantastic two-hander. It's taut, razor sharp dialogue gives the actors the chance to really shine and the only prop is an age old pile of human excrement...
For Further details contact Donnacha Kirk (director) on dk307 or Claire Adcock (Producer) on cla31.
- March 2005
Khonon is a brilliant scholar in nineteenth-century Eastern Europe. He’s in love with Leah, the daughter of Sender, and she with him, but Sender won’t consent to the match. Khonon delves deeper and deeper into Jewish mysticism in order to force Sender to allow them to wed, but Sender still betroths her to someone else. Khonon wastes away and becomes a dybbuk, a wandering soul who can neither rest nor ascend to paradise. His soul in dire need of a harbour, Khonon possesses Leah. This is an unusual and compelling play, in its first-ever Cambridge production. Not to be missed!
- March 2005
A whole host of excited freshers, a brand new piece of comic script writing and some fresh new acting talent....the Corpus freshers present a play full of drama, mystery, intrigue, thrills, espionage, comedy and romance. Set in the familiar surroundings of an un-named Oxbridge college, the story of a professor's road of discovery will be entertainingly brought to life by our band of talented and enthusiastic actors. Combine this with the expert directing and producing skills of the first years, some adventurous and entertaining costumes and sets, and the intimate setting of the Corpus Playroom, and you have a spectacle not to be missed!
- March 2005
It's THE annual festival on the Cambridge drama scene. It's showcasing the hottest, fresh talent of the winning student-writers whose short plays were selected from across the university. Each night 7 little nuggets of polished, outstanding drama and comedy will be played. 7 casts, 7 writers, 6 directors, 1 huge production team, all crammed into the sexiest little venue, performing brand-new work.
- March 2005
Pat, Conor and Tommy have little else to do than sit in a pub discussing elephant sex, John Reilly's daughters, and the Republican Movement's penchant for painting cats green. But when Pat's father dies they are all forced to confront the real issues in their lives. Sometimes life is more than just pints, paint and lesbians.
"I never knew Jesus was Irish. Though when you think about it, it explains a lot."
- March 2005
Youth of Cambridge! Your country needs you to see OH WHAT A LOVELY WAR!
Step right up, do it for God, King, and Country! Here, at last, in one
show, experience the dangerous trenches of France along with those of the
cabaret girls! Two parts War Game, three parts Music Hall, four parts
History, six parts Song, five parts Floozies, and nine parts Machine Gun
Fire, let Oh What A Lovely War! take you OVER THE TOP!
- February 2005
Faced with another Sunday evening of incomprehensible boredom, two housemates take the only sane option left open to them - Break out the boardgames! Unwittingly they embark on a game of risk that spills over into their lives and ushers reality into the corner until It's thought about what it's done. In the days that follow, in the no-man's land between the sofa and the coffee table, they found out that war isn't a game... unless it's been bought at Woolworths.
- February 2005
Caught in the dull routine of office work in London, Rob and Alex struggle to find excitement in their mundane lives. While Alex is drawn ever closer to suicide by his dangerously destructive urges, Rob has worked his way into the undergarments of every attractive female in the vicinity and now awaits his next 'discovery'. When work colleague Julia sees Alex's vulnerability, she tries to help him, much to Rob's annoyance. Having vied for Julia's attention for some time, to no avail, Rob sets about his own plot to get his own back on Julia, theough her one weakness - Alex. As Alex edges ever closer to suicide and Rob comes closer to murder, who will get there first? Or will Julia stop them both before it's too late.
- February 2005
CUMTS proudly presents the UK premiere of the off-Broadway smash hit musical revue SECRETS EVERY SMART TRAVELLER SHOULD KNOW
"This is your captain speaking. We'd like to apologise for the delay in take off. The flight attendants will be serving a complimentary cocktail. And we'll be taking off just as soon as I drink it."
SECRETS EVERY SMART TRAVELLER SHOULD KNOW is a fast-paced, furiously funny musical comedy revue for anyone who's ever travelled anywhere - and survived to tell the tale! The entire journey is planned: from booking the tickets to losing the luggage to an unexpected stop in customs, 'Secrets...' is a smart, witty cautionary tale for any holidaymaker. A smash hit Off-Broadway featuring the songs 'Ageing Planes', 'Buffet' and 'Naked in Pittsburgh', you'll be laughing and singing along all the way to the departure lounge. If you ever get there...
Miracle Airlines - if it's a good flight, it's a Miracle!
http://www.MiracleAirlines.co.uk
- February 2005
One night, one Corpus Playroom - what would you do?
For one week only we've given 5 groups of performers in Cambridge the change to show us exactly what they would do. The Fletcher Players introduces you to a variety week in the Corpus Playroom. It promises to be one of the grooviest weeks the Playroom has ever seen. If you want the opportunity to see some of the best and the most innovative performers in Cambridge, this will be the place to be.
- February 2005
How far would you go for the person you love? How much would you change? 'The Shape of Things' is a provocative, acerbic play which exposes how superficial the relationship between a man and a woman can . The play deals with four university students trying to seek acceptance. It is a savage indictment of the modern 'makeover' culture, showing how far people force others to conform to perceptions of beauty with a blurred view of 'art' and 'reality'. Writer Neil LaBute has been described by the New Yorker as 'the best new playwright to emerge in the past decade...'.
- February 2005
In a sordid bedsit, a prostitute welcomes a client. So it seems. But what is he really looking for? And what does she really want from him? When they are joined by a second man, more questions are raised - is he just another client, a lover, or a brutal rapist? Dwelling on a passing sweetness and descending into dark demanding self-investigation, through warmth and sentimentality, flirtation, make-believe and confession, "The Black Saint and the Sinner Lady" is a modern-day morality play which explores the blurred lines between love, dependence and psychotic attachment.
Following the success of Cross Road Blues at the ADC in Michaelmas 2003, "The Black Saint and the Sinner Lady" is David Hall's second play as writer/director.
- February 2005
Shakers Restirred reflects the eighties as you have never seen them before. Following four cocktail waitresses through a hectic night, the girls take on characters ranging from the checkout girls to the classic 'yuppie'. Shakers cocktail bar is THE place to be! After work, before a club, to meet the blokes, to pick up the chicks, to drink to celebrate or drown your sorrows, for birthdays and parties to romance and sin, this is the place to be seen!
- November–December 2004
Kane's 'Cleansed' written midway through her infamous career on the cusp of her naturalistic and expressionistic phases, is perhaps the cruellest yet most redemptive of Kane's plays. It is a world where love is on trial but justice is aptly perverse and brutally ministered. Set in University buildings transformed into a sanatorium, Tinker's inmates kindle the personal and human within the institution, clinging onto scraps of faith, promise and trust where no values prevail and where ideals are defunct.
CLEANSED is presented as part of HATS's PLAYROOM DOUBLE BILL:
'The Pitchfork Disney' at 7pm
'Cleansed' at 9pm
every night November 30th - December 4th
- November–December 2004
The Pitchfork Disney is the first of Philip Ridley's grotesque and disturbing plays that were met with almost universal critical acclaim and revulsion in the nineties. In an East London flat the agoraphobic Stray twins live the world differently, surviving on chocolate and Barbiturate fuelled dreams of oblivion. A darkly comic play that unsettlingly reflects the tensions and contradictions of post-modern London life.
THE PITCHFORK DISNEY is presented as part of HATS's PLAYROOM DOUBLE BILL:
'The Pitchfork Disney' at 7pm
'Cleansed' at 9pm
every night November 30th - December 4th
- November 2004
When the Brewster-Wright's receive working-class couple Jane and Sidney into their state-of-the-art kitchen, the occupants fear the couple may more than lower the tone of their Christmas Eve: little did they imagine the chaos their party games would bring. This is the hilarious scenario of ABSURD PERSON SINGULAR's rampaging alocholics in negligees, peanut butter sandwiches and drunken dancing. Alan Aykbourn's side splitting social comedy explores a side of the festive season which the middle classes would prefer to keep hidden. The perfect anecdote to end of term blues!
- November 2004
Woyzeck, an ordinary man who endures the rat race to clothe and feed his family, is tortured by jealousy and driven to murder. A seemingly simple tale which grows more complex as the action unfolds. Georg Buchner's Woyzeck changed theatre forever: written so far ahead of its time, the play remained unperformed for 76 years. Celebrating 15 years of German unity, White Block Theatre Company invites you to experience this exciting new interpretation of a modern classic. Performed in German with surtitles.
- November 2004
To celebrate 100 years of the Entente Cordiale, White Block presents Moliere's most controversial play of a seemingly honest priest, Tartuffe. Banned for five years due to Moliere's provocative view of the church, Tartuffe contains moments of farce and razor-sharp satire. Deception, lies and obnoxious servants add up to an evening of pure delight. Performed in French with surtitles.
- November 2004
All Good Things merges romance and fantasy with a spiritual journey towards redemption. John is a man whose life is stalled at the bottom of a glass since the death of his wife until a chance encounter reawakens memories of the past. Through painful experience and poignant encounters John succeeds in rekindling his faith in life but only after his reason has been tested to the utmost.
As the themes of loss, hope and love are played out, All Good Things becomes a testament to human resistance to adversity.
All Good Things is an exciting piece of new writing that has previously been presented at a Marlowe Scriptlab, where Tom Cornford, a Globe practitioner and director at the Gate Theatre in London, directed a rehearsed reading of the play to much acclaim.
- November 2004
'Look Back in Anger' saw the birth of the prototype 'Angry Young Man' and
sparked a new wave in British theatre. John Osborne's 1950's classic is
explosive, witty and downright angry. The play is not only an exploration
of one man's impassioned demand for humanity but is also a taught domestic
drama in which the dynamics of a troubled relationship are further
complicated by the arrival of a good looking and feisty outsider. This
exciting production will be performed in week five at the corpus playroom.
- November 2004
Violent, funny, smart -- and oiled with huge amounts of alcohol:
Edward Albee's classic portrait of marital war. George, a failed
academic, and his wife Martha have a young couple over for late
drinks, and quickly turn the unsuspecting guests into weapons in
their year-long marriage battle. Layer by layer, drink after drink,
each gives away the secrets of the other's failed life – neither of
them capable of stopping the process of mutual humiliation once it
has begun.
“Who is afraid of Virginia Woolf?” is one of the strongest, most
psychologically violent, and yet subtlest pieces in modern theatre.
It shocks the audience not only by the intensity of its battles, but
also with the precision with which it presents them a mirror-image of
their own life. It is a highly entertaining, funny and violent
description of what it is for people to share each others’ lives, of
their intimacy, their contempt for each other, and their recognition
that they will nonetheless carry on together.
- October 2004
Based on the events of the Hulme
and Parker murder trial of the 1950s, Folie a Deux explores the tender
relationship of two girls that spirals out of control. Trapped in 1950s New
Zealand – characterised by judgement, religion and the need to keep up
appearances – the girls take refuge in each other’s company. Creating
fantasy stories and a religion of their own, Juliet and Pauline finally
find the freedom they have been longing for. When their suspicious parents
attempt to split them up, the girls panic. Only one thing can save them now
– murder.
- August 2004
A unique mix of comedy, music, puppets and actors doomed to die.
Worried about your mortgage? Stressed about your report due in tomorrow? Well it doesn't matter, because by tomorrow you'll be dead - the world is going to end, and there's nothing we can do to stop it.
Trapped in a theatre with an audience they've barely met, five actors face their impending demise by sharing memories. A half-remembered childhood incident combines with a fear of heights - and suddenly a story is born. Taking ideas from the audience and blending them with puppetry, music - and imminent doom - this is a unique experience for your final minutes.
Fully improvised and completely unpredictable, the latest show from The Uncertainty Division will capture your imagination for a few brief moments before it stops making any difference at all.
- May 2004
Four plays - 'Despairing', 'Marcos of Belsornia', 'A Sorta Fairytale', and 'Inner Circle' - that deal with madness, isolation, wolves, and park benches, brought to you by the Fletcher Players.
- April–May 2004
Novelist Helen Oyeyemi's first play raises more questions than it answers.
In the house where Aleph, Beth and Juniper live, resurrection is a weapon,
and kindness is entrapment. Aleph lovehates Beth, and Beth lovehates Aleph,
but all Juniper knows is that Beth just con't seem to stop being murdered.
One thing above all - they mustn't look out of the window.
- April–May 2004
When a teenage bopy is brought to Martin Dysart's psychiatry clinic after
blindng six horses with a metal spike he expects to find 'just another
dented little face - the usual unusual'. As Dysart drives deeper towards
the pasion that motivated Alan's crime his own inward struggle, between
what convention classes as normality and what he believes is right, rises
to the surface.
- March 2004
Condom packets crunch underfoot and breakfast is eaten straight off a mirror in The Grand Balcony, a brothel designed for the fulfilment of any conceivable sexual fantasy. With the help of Madam Irma's prostitutes, three men act out double lives as a bishop, a judge and a general. All the while a bloody revolution threatens to penetrate into the brothel and, when the state falls, its patrons of are given the chance to wield in reality the powers that they have hitherto only play-acted. Anita Berber Furniture Removal cordially invites you to be rubbed up the right way by its production of Jean Genet's masterpiece.
- February 2004
Sartre's intense vision of hell: no fire, no demons no torture devises. Hell is...other people. Three people meet in hell. Initially they try to hide from each other what brought them there. But they cannot live together without penetrating each others' intimate spheres, without forcing each other to confess who they had been and what they had done. No one is allowed to keep his secret and no one is spared the humiliation of being recognised for who he is. And yet: the more they are being hurt and the more their lives become hell, the more they become bound to each other. The play thrives on the dense, claustrophobic and yet erotic tension between the characters. We will try to portray their anguish, violence and passion in a way that evokes the audience's passions as well as captivating their intellect.
