- October 2021
The Downing Freshers' Play has been cancelled! So what else can an actor do on a Midsummer's Night but go back to bed? They awake to the all-to-real dreamscape of Athens where lovers are fighting, the Duke and Duchess are about to get married, and a group of distinctly mediocre actors are rehearsing a play. That is all before they enter the palace woods... no one can know what happens after that, only the fairies, and even then, they don't know all. Mischief runs amok!
- June 2021
Postponed from our usual Lent slot because of Covid-19, the theatrical jewel in the DDS crown is back!
The annual Festival of New Writing, established in 2014 and now a central and highly prestigious feature of the Cambridge drama scene, returns in May Week 2021 to showcase the best of the writing talent the student-body has to offer.
Students of all disciplines and from every Cambridge college submit one-act plays to be read and assessed over the Christmas holiday and from the wealth of admissions, nine are chosen to be performed over the three nights of the Festival (which also features live music and now includes workshops from professional writers and directors). At the end of each evening, the playwrights are invited to join a panel of top theatre practitioners to discuss their work-in-progress and take questions from the audience. Everyone plays a part.
The Festival brings both dramatic spectacle and a unique learning experience to the Howard stage and DDS is proud of the fact that many FoNW alumni have gone on to forge successful careers in the Performing Arts as actors, writers and directors.
- June 2021
There is a room in the basement of the library, a room where young librarians are warned not to go. Inside it lies a special collection which the library is duty-bound to curate - after all, it's in its constitution to house ALL the information in the world. When a patron turns up asking for a particular book whilst the duty manager is on her lunchbreak, a naïve new employee heads down to look behind the door...
We're looking for someone to direct this 20 minute piece which has been selected for the New Writing Festival at Downing's Howard Theatre this June (hopefully in person!)
Please send applications to rak62@cam.ac.uk by Midnight on 10th March
Don't worry if you're new to directing!
- March 2020
The theatrical jewel in the DDS crown is its annual Festival of New Writing, established in 2014 and now a central and highly prestigious feature of the Cambridge drama scene.
Students of all disciplines and from every Cambridge college submit one-act plays to be read and assessed over the Christmas holiday and from the wealth of admissions, nine are chosen to be performed over the three nights of the Festival (which also features live music and now includes workshops from professional writers and directors). At the end of each evening, the playwrights are invited to join a panel of top theatre practitioners to discuss their work-in-progress and take questions from the audience. Everyone plays a part.
The Festival brings both dramatic spectacle and a unique learning experience to the Howard stage and DDS is proud of the fact that many FoNW alumni have gone on to forge successful careers in the Performing Arts as actors, writers and directors.
Praise for A Festival of New Writing 2018:
"The future of new writing in Cambridge continues to look pretty bright." ***1/2 (Varsity)
- February 2020
“Them? Call them people? Muck and dregs—that’s what they are! I’m a workman—I’m ashamed even to look at them. I’ve slaved since I was a child. . . . D’you think I shan’t be able to tear myself away from here? I’ll crawl out of here, even if I have to leave my skin behind—but crawl out I will! Just wait . . . my wife’ll die . . . I’ve lived here six months, and it seems like six years.”
The Lower Depths is a 1902 classic of Russian socialist realism. A mismatched crew of social recluses, ex-convicts, alcoholics and paupers live together in a ramshackle boarding house. There, some dream of one day extricating themselves from the “depths”, others reminisce about the days when they were “somebodies”, but, try as they might, they are unable to fight the gravitational pull of circumstance. The inhabitants find their daily lives altered by the appearance of a wanderer called Luka who encourages them to reform and make a new path for themselves in life. For the disillusioned dwellers, there is now a choice: to drink or to dream.
This production is set in 1992, post-collapse of the USSR. The 90s were a tumultuous period for Russia, as economic disaster and social upheaval accompanied rapid Westernisation and sudden cultural autonomy. The golden stars of the Soviet Union now find themselves squatting in a derelict flat and, with their lives turned upside down, they struggle to come to terms with the burden of existence. Darkly humorous “The Lower Depths” is an exposé of the human condition quite unlike any other in theatre.
- November 2019
Humbug, forsooth!
Dickens' classic tale of redemption with a Shakespearian twist! Scrooge is a wealthy theatre owner with a stingy heart until he’s visited by his old partner Christopher Marlowe. The Ghosts of Christmas Past, Present and Future become Puck, Sir John Falstaff and the ghost of King Hamlet. The cast is weaved with familiar characters from the Bard's canon and it's all in iambic pentameter!
All the world's a stage, and Scrooge will learn to play nice.
- October 2019
Hell is empty and all the devils are here. A ship is coming. A storm has been conjured, and nothing is what it seems.
This production of The Tempest foregrounds its treatment of abuse and subjugation, examining the importance of forgiveness to the stories of Caliban, Miranda, Ariel and Prospero, who each must come to terms with its difficulty.
It is particularly important to us that queer and BME-coded characters are represented by queer and BME actors, as their experiences and agency should be at the forefront of the play, and that we evoke the spectacle and grandeur of larger, earlier stagings, but through the emotion of the actors rather than the extravagance of our setpieces and practical effects, as this is where we feel the depth and strength of the story lies and it is an unexplored area.
Join us on the strange isle, where what’s past is prologue…
- March 2019
The Downing Dramatic Society presents A Festival of New Writing 2019!
Come and join us at the Howard Theatre for three nights of short plays written, directed and performed by Cambridge students. A panel of industry experts will judge each night, providing invaluable feedback for our student writers. It's a festival that promises the very best of original writing that Cambridge theatre has to offer!
The judges A Festival of New Writing 2019 were:
Kate Barton – playwright and actor. Barton's play 'Fast' received rave reviews at Cambridge, Brighton and Edinburgh and is being developed for production at London's Park Theatre.
Alexander Lass – freelance theatre director. Lass has directorial and assistant directorial credits at the RSC Swan Theatre, RADA and Trafalgar Studios. He is an alum of Downing College.
Nicky Bligh – film and television casting director. Bligh has cast for Mrs Brown's Boys, Psychobitches and other hit British productions.
Praise for A Festival of New Writing 2019:
"For £5, the chance to watch the germ of something you might pay upwards of £50 for on the West End in thirty years is unmissable." ***** (The Tab)
"If you want a dizzying variety of up and coming creativity in a short and punchy format, this is exactly the show for you." **** (The Cambridge Student)
- March 2019
This is Aron Linklater’s living history project for school - an attempt to capture some of the Orkney old world before it succumbs to the 21st Century. It’s also a story about his grandfather, a local fisherman, and his conspiracy theories. It’s also a story about Avery, a girl recently displaced from New Mexico who finds herself in Stromness. It’s also a ceilidh. It’s also a poetry recital. It’s Star Jelly.
Debuting at the Downing Festival of New Writing
- February 2019
In his small pub in the northern English town of Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging?
Amongst the cub reporters and pub regulars dying to hear Harry’s reaction to the news, his old assistant Syd and the peculiar Mooney lurk with very different motives for their visit.
- November 2018
"Under Milk Wood" was Dylan Thomas's last major work. This magically poetic "Play for Voices" records, with humour and pathos, a day in the life of a tiny village fishing community; its dreams, its scandals and its secrets.
Join Captain Cat, the blind sea captain, tormented by his drowned shipmates, who long to enjoy the pleasures of the world again. Share Mog Edwards' and Myfanwy Price's dreams of each other, Mr. Waldo's visions of his childhood and failed marriages, Mrs. Ogmore-Pritchard's instructions for her deceased husbands and much more - all with musical accompaniment.
- November 2018
“It’s been there two weeks.
Just sitting there.
In the middle of the pavement…”
Matthew is painfully average.
He lives in a featureless room in a high-rise flat. He has a job he doesn’t understand, neighbours he can hear through paper-thin walls and a little brother awaiting execution for murder.
But none of that matters to Matthew. He's too busy panicking over a table that has appeared on the street outside. No one will touch it. No one will take it away.
And he just can't understand why it's there.
I Need You To Be Quiet Now is an ambitious one-man show exploring obsession and the conversations we try to avoid.
- October 2018
You’re six years old. Mum’s in hospital. Dad says she’s ‘done something stupid’. She finds it hard to be happy.
So you start to make a list of everything that’s brilliant about the world. Everything that’s worth living for.
Ice Cream
Kung Fu Movies
Burning Things
Laughing so hard you shoot milk out your nose
Construction cranes
Me
You leave it on her pillow. You know she’s read it because she’s corrected your spelling. Soon, the list will take on a life of its own.
A beautifully funny play about depression and the lengths we will go to for those we love.
- June 2018
'If he forsake me not, I never die,
For in his looks I see eternity,
And he'll make me immortal with a kiss.'
Marlowe's visceral, lyrical reworking of Book IV of Virgil's Aeneid breathes new life into this ancient story with the psychological intensity of Elizabethan drama.
Troy has been burned to the ground and Aeneas is a prince turned refugee. He and his men are soon shipwrecked and wash up on the shores of Carthage, home to the powerful Dido. In a world of warring gods and clashing empires, the two plunge into a passionate love affair. But as Aeneas faces mounting pressure to follow his destiny and found a new city on Italian soil, Dido fears she will lose everything and resolves to take drastic action.
- May 2018
A short production presenting highlights of Diaghilev's Ballets Russes with dancers and orchestra
Featuring:
Prélude à l'Après-midi d'un faune by Debussy
Selections from Les Sylphides by Chopin
Entractes by Weaver
Renard by Stravinsky
The Swan by Saint-Saëns
- March 2018
Downing Festival of New Writing is back for the fourth year running! Hosted annually by Downing Dramatic Society. With nine independent, student-written plays running over three nights, come and enjoy one of the biggest new writing events in Cambridge performed in Downing College’s beautiful Howard Theatre.
- February 2018
Think traditional, English ‘whodunnit’, complete with an Agatha Christie style of setting, plot and characters, but with a twist. Characters including an aged rear admiral, a bitchy aristocrat and a doddering old archaeologist along with a butler gather at an old country house for a black-tie dinner during a storm, each of them with archetypical personalities bigger than the last. However, there is blackmailer amongst them, and he systematically reveals the compromising and dark secrets of the guests, before turning up dead. Each of them is suspect, but Whodunnit?
- February 2018
Is it possible to put on a show in 36 hours? We don't know but we sure will try!
Teams of writers, directors and actors must write, rehearse and put on plays on a theme in the space of just 36 hours. This is theatrical collaboration on a scale not seen anywhere else, pushing the whole team to the limit and creating unforgettable performances.
- November 2017
All BME production
A gender-bent twist on one of Shakespeare's best-loved comedies - if you didn't think Twelfth Night was confusing enough already! Violo and his twin sister Sebastia are victims of a shipwreck. When Violo washes up on a strange land, alone and desperate, he realises the best way to get work with the Duchess Orsina is to dress as a woman, Cesaria. Orsina, who is madly in love with the Countess Olivia, sends Violo/Cesaria to deliver her love messages to Olivia. Olivia ends up falling for Violo/Cesaria instead, while Violo begins to realise his own budding feelings for Orsina. Further chaos and confusion ensue as Olivia's household staff and relatives hatch a plot to humiliate her stuffy housekeeper, and events come to a head when Sebastia arrives on the island and is mistaken for Cesaria!
Join us for a fun and modern take on Shakespeare's classic!
- November 2017
首演于1989年的纽约，在大陆第一次上演于2005年的北京，这部让成千上万的观众蜂拥而至剧场的话剧即将在剑桥拉开帷幕。《收信快乐》仅有两位主角，他们之间的长达四十年通信讲述了人生的酸甜苦辣和彼此间剪不断的情感。让我们一同回到那个“车马很慢，书信很远”的年代，找寻笔墨下的离合悲欢。《收信快乐》将于十一月上演，请和我们一起被感动吧。
'Love Letters' was premiered in New York in 1989. After revised by a writer from Taiwan, its first show in Mainland China was in 2005, where thousands of audiences were attracted to the theatre. The drama has only two leading roles, and the transcript is based on their letters in more than forty years.
Downing Dramatic Society and Cambridge University Chinese Drama Society have the pleasure to present Love Letters in November, and sincerely invites you to enjoy this drama with us.
This production will be in Chinese (Mandarin) with English subtitles.
- October 2017
In a time and space where the public house has long since been obviated, the last bar in town is still in business. Unending instalments of diuretic bliss are handed out to the clientele while veteran compere Sydney Diazepam presents a cabaret of things almost forgotten. It's a stable picture, but with the arrival of the enigmatic Viscera Skye those in attendance are dazed and struggle to maintain their own dreary perspectives. Welcome to Mist.
"The ArcSoc of cam theatre" - Saskia Ross
"Is this post-Cambridge Theatre?" - Zoe Black (Fletcher Players President 2017-???)
"Love yourself." - Thomas Warwick
- June 2017
Rights kindly provided by Samuel French.
- March 2017
Downing Festival of New Writing is back for the third year running! Hosted annually by Downing Dramatic Society. With ten independent, student-written plays running over three nights, come and enjoy one of the biggest new writing events in Cambridge performed in Downing College’s beautiful Howard Theatre. At the end of each evening, the writers will receive a live feedback session from a group of industry professionals and experts, following which, at the end of the festival one play will receive a festival prize of £100, along with the promise of further development from the society. Our judges this year include Tanya Ronder (Playwright: RSC, National Theatre); Edward 'Chips' Hardy (Writer & Producer: Taboo BBC One, father of Academy Award nominee Tom Hardy) and David McDermott (Award-winning Screenwriter: BBC, ITV, Channel 4). With scripts which range from verse to black comedy, and a judging panel packed with interesting names, sample some of the best student writing Cambridge has to offer.
This year's selections are as follows:
Curriculum Vitae by Jenny O'Sullivan
Frank and the Baby by Johannes Black
Abba, mamma by Eloïse Poulton
Oedipus Rex by Beatriz Santos
Greater Love Hath No Man Than This by Isaac Jordan
Ava by Maya Yousif
The Stone Cold Loser by Edith Franklin
Waiting by Isla Cowan
Thy Neighbour by Charlotte Cromie
Candy Hymns by Amelie Lasker
https://www.adcticketing.com/whats-on/play/a-festival-of-new-writing/
- February 2017
Come down and support the Downing freshers in The Importance of Being Earnest! The latest production by the Downing Dramatic Society.
The Importance of Being Earnest is the most renowned of Oscar Wilde’s comedies. The story of two bachelors, John Worthing and Algernon Moncrieff, who create alter egos named Ernest to escape their tiresome lives. They attempt to win the hearts of two women who, conveniently, claim to only love men called Ernest. The pair struggle to keep up with their own stories and become tangled in a tale of deception, disguise and misadventure.
Event: www.facebook.com/events/582278325294409/
- November–December 2016
"You're my prize possession, why can't I watch you ?... You're mine"
Nora Helmer years earlier committed a forgery in order to save the life of her dictatorial husband Torvald. Now she is being blackmailed and lives in fear of her husband finding out and of the shame such a revelation would bring to his career. But when the truth comes out, Nora is shocked to learn where she really stands in her husband's esteem. A play that was once banned for daring to depict a woman defying her husband "A Doll's House is considered to be one of the first "feminist" plays, challenging the Victorian ideal of a woman's role in marriage and revolutionising the portrayal of women on the stage.
- October 2016
‘An amateur performance is not teamwork. It is a free-for-all among a dozen egos, and the ego that gets there firstest with the mostest wins.’
For fifty years, Michael Green’s dramatic manual parody 'The Art of Coarse Acting' has been a classic work of comic genius that is all too relatable for anyone involved in amateur theatre. Now, it is being brought into the environment it pokes fun at and lays bare – the stage.
A non-stop, breakneck hour of madcap guidance on how to be the best worst amateur dramatics society you possibly can, dealing with everything from stage deaths to stock characters, from unhelpful prompters to distraught directors to even distraughter writers, from Shakespearian jokes to collapsing scenery to making the most of a non-speaking part.
‘Have you ever seen an entire box set slowly teeter inwards and bury Lady Windermere? I have.’
- June 2016
“We are all in the gutter, but some of us are looking at the stars.”
The beautiful, aristocratic, Lady Windermere is an adored mother and young wife, whose strong moral code almost causes her own social suicide as she prepares to leave her husband on the suspicion of adultery. Ironically the only one who can stop her is the mysterious Mrs Erlynne whose illicit relationship with Lord Windermere has prompted the imminent downfall of Lady Windermere in the first place. And Mrs Erlynne has a deadly secret - a secret Lady Windermere must never find out if she is to keep her peace of mind and the world she has come to identify with.
A production not to be missed, join us for an evening of the finest upper class debauchery. Lady Windermere's Fan presents the exposition of shocking home truths, the satirisation of societal expectations and Wilde's renowned cutting wit.
- April 2016
Join Percy Shelley, Mary Shelley and Claire Clairmont on a pit stop of their Grand Tour, as they discuss the woes of the Grand Tourist and just what the English have brought to the intellectual world.
- March 2016
Following the success of last year's festival the Downing Dramatic Society is once again offering a platform for new writing by current students of the University. Eight plays by will be showcased in Downing's fabulous Howard Theatre followed by an open forum with top industry professionals.
- February 2016
'You're a divinely mad family!'
The Blisses live in the countryside, and they love inviting people over for the weekend - only this time they haven't told each other! The house is soon crowded with friends and lovers who, as they start arriving and meeting each other, realise just how crazy and melodramatic The Bliss family can get.
Join the glamourous Judith Bliss and her eccentric family for an awkward, confusing and hilarious soirée at their home. This 1920s farce will surely have you in stitches!
- February 2016
“Do you believe in the afterlife?”
A young woman dies suddenly and unexpectedly. Her friends plan a cleansing trip to the seaside. All is not what it seems, and the mechanics of death aren’t quite what they should be. Who is Hurtle T., how did Adrianne really die, and why are there ghosts everywhere?
Meet jeering Adrian, absent-minded Romania, foppish Birch, the self-proclaimed Ex-Ghost, and, at the centre of it all, Susanne herself and her tragic decline.
A comic and unsettlingly dark film heavy with theatrical ambiance, Susanne is a twisted foray into some of humanity's deepest fears.
It can be watched on Youtube via the following link:
https://www.youtube.com/watch?v=LGSUeDyjSwc
- February 2016
Laden with moments of both comedy and searing tragedy, Frank Wedekind's famous double bill is brought to the beautiful Howard Theatre. Combined as "Lulu: A Monster Tragedy", Earth Spirit and Pandora's Box are two of the most striking and famous of fin de siècle sex tragedies: forming a commentary on the destructive potential of sexual and material excess in the turn-of-the-century bourgeoisie. A tale which Wedekind tells through the fatal and enigmatic figure of his protagonist Lulu. Travel from Berlin, to the opulent high society of Paris, to the grimy slums of London, following Lulu and her successive lovers, as, at each shift in setting, the play's world and its characters slowly degenerate, before the play’s now iconic and brutal climax.
- November 2015
‘I like this place, / And willingly could waste my time in it.’
This is a story one can hear softly spoken around a campfire in the glowing embers of an evening. It is a tale of ‘the golden world’, disguised lovers and gender swaps. We will be beckoning in our audience to join the company of witty Rosalind; ardent Orlando and wry Jacques in this production's autumnal Forest of Arden.
- March 2015
Downing Dramatic Society are hosting a New Writing Festival Downing's Howard Theatre. We are looking for new one act plays, running at no longer than 20 minutes, to be submitted by the end of January. The best submissions will be staged and watched by a panel of top industry professionals and special guests who will then offer advice and feedback. The winner's prize will include an opportunity to develop the writing further, with support from the society. Many exciting surprises to be announced in due course. Get those pens scratching and await further announcements!
- February 2015
Not so very far in the future, Paulina Salas, a medical student, falls prey to the repressive regime controlling her country. Whilst captive, Paulina is raped and tortured by a Doctor she never sees, who is obsessed with playing Schubert's 'Death and The Maiden'. Paulina is eventually released when the regime falls, and leads a normal life with her husband, the lawyer Gerardo. But the past remains with her.
One night, her husband is stranded by the roadside and is rescued by a kind man, Doctor Miranda, who drives him home. When Paulina hears his voice she is instantly reminded of her rapist and tormentor, and seeks to have his confession by any means possible, while her lawyer husband seeks to ensure Doctor Miranda has a fair trial in the hands of his seemingly deranged wife....
Come and see this play about trauma and the ambivalent nature of guilt and innocence.
- November 2014
