Producer/director roles and show applications
Michaelmas Week 7
Applications to direct/produce
Sweeney Todd is looking for producers (and also vengeance). If you want to be involved in putting on this amazing musical, email ampl2, rlm72 or age26 with:
- Why you're interested
- Any relevant skills/ prior experience (none required)
- A quirky question for us to ask on future applications (optional)
Feel free to email us with any questions!
Deadline: Tuesday 21st August 11:00pm
Michaelmas Week 0
APPLICATIONS TO ASSOCIATE PRODUCE
Bella and Will were pop stars once. With nothing to lose but their pride, can they take back the reins?
REVERSE COWGIRL is the on the hunt for an ASSOCIATE PRODUCER to climb aboard for the wild ride...
No experience is necessary and absolutely anyone can apply! Position will entail helping oversee production in the weeks leading up to the show.
Please just drop us an email (firstname.lastname@example.org) by 30th AUGUST- applications don't need to be too extensive, just tell us why you want to be involved with the show and any experience/expertise you think you could bring (although none necessary).
The show is going to be a LOT of fun, and will also mark the debut public performance of our original EP, so frankly, get applying!!!
Feel free to message/email if you have any questions, can't wait to hear from you!
Deadline: Thursday 30th August 9:00pm
Michaelmas Week 3
Applications to Direct
//PLEASE NOTE DEADLINE//
We require a director for a one-night-only, script-in-hand staging of "Samson Agonistes" by John Kinsella. The performance will be on Wednesday 24th October at 7pm in the Judith E Wilson drama studio. You MUST be available on this date, as well as Saturday 20th and Sunday 21st October all day in order to rehearse. Any rehearsals before this weekend will be up to you to schedule alongside your actors. This performance will be the world premiere of John Kinsella's new VERSE play, for which a book is being published. There may be the opportunity for the cast and creative team on board with this first production to be published within the book.
As the director, you will be responsible for arranging auditions, casting and rehearsing actors for the performance. However, as the show is to be script-in-hand (the actors won't need to learn their lines off by heart - although they will need to be familiar with them), it will be far less time-commitment heavy than a typical show. We are expecting some simple movement staging, with some slightly more in-depth character and speech work to convey the play's story through its sometimes complex linguistic style.
No previous directing experience is necessary - just the enthusiasm and dedication to see an important project through to completion. Please email Ruby at rkm39 to apply, citing any previous or relevant experience, and why you feel you would be the right person to direct this performance.
Please email Ruby Morris (rkm39) to see an extract from the script before you apply, or if you have any questions whatsoever.
I praise the poetry of ‘stony wastes’,
I praise the poetry of lush spaces,
I praise the poetry of difference,
I praise poetry of co-existence.
Samson Agonistes is a complex verse play which touches on themes of modern warfare, identity, and the knotty tragedies of global international politics. As a content notice, it touches specifically on the political situation of Israel and Palestine, and contains discussion of gender. Kinsella dedicates the play "to Amir Or, Omar Sakr and Tracy Ryan, and for Israel and Palestine and lasting peace and equality in all things".
Deadline: Monday 3rd September 6:00pm
Cathy: A Retelling of Wuthering Heights - St Edmund's Music Society
Michaelmas Week 6
Looking for someone keen to bring new ideas to a known classic. An appreciation for music/musical theatre and Shakespearean tragedy will be useful, as well as having a good mind for blocking/choreography. We will be taking this show to the Fringe in 2019, so ideally we want someone willing to commit to the project long term.
Submit applications to Michael & Lucy (mecb2 & lfr27) with info about yourself, your experience, and your ideas by 7/9/18 and we'll be in touch to have a chat about the show.
Deadline: Friday 7th September 11:59pm
SHOW APPLICATIONS: Michaelmas 2019
Applications are open for Heywood Society show funding! We will fund anything if you can convince us and excite us. Especially interested in shows in which take artistic risks or are staged in unorthodox ways/places!
In your application please let us know:
•outline of the show
•what relevant experience do you and your team have
Submit your applications via email to Will (wm290) . Of course, if you have any concerns or questions, please feel free to get in contact.
Deadline: Saturday 22nd September 5:00pm
APPLICATIONS FOR MICHAELMAS FUNDING
The Dryden Society is on the lookout for new and exciting shows to fund for Michaelmas 2018 - the more creative, the better!
Please apply with:
1. A brief synopsis of the play
2. Your ideas for staging the play
3. A budget outline with revenue estimates
4. Details of your cast and crew (especially including Trinity involvement)
Please send applications and/or any questions to email@example.com. We look forward to hearing from you!
Deadline: Saturday 29th September 11:00pm
Applications and Funding for Michaelmas 2018
HATS is officially open for applications at Homerton and for funding for any shows for Michelmas term. Please send us an application to firstname.lastname@example.org detailing:
- the show you wish to put on
- why you are interested in putting this particular show on
- licensing details
- details of production team (if applicable)
Please include your contact details in your application including your email and mobile number.
Deadline: Sunday 30th September 12:00am
MICHAELMAS Term Applications
APPLICATIONS ARE OPEN for Pembroke Players Lent Term Slots!
Got a show that you’d like to put on in the New Cellars? We are looking to put on mainshows and late shows in weeks 3, 5 and 7. PLEASE NOTE: THIS TERM WE ARE PUTTING ON A ‘QUEER SEASON’ — each main show will be a queer narrative and is encouraged to have a largely queer production team and cast, so make sure you’re applying with a queer narrative for main show slots!
Please apply via the form below, giving as much detail as you can.
We look forward to hearing from you!
Deadline: 14 June, 10pm.
Deadline: Wednesday 28th November 10:00pm